Produce Mechanism Of The Over Lapping Aesthetical Imagination

Globolization of culture and modern transformation of Chinese culture make kinds of culture together on the stage of contemporary Chinese aesthetical culture.Folk culture ,popular culture,classical culture,modern culture,East culture and West culture converge and produce a overlapping aesthetical imagination or a group of aesthetical imagination.They show us multilateral aesthetical exchange just like polyhedral mirror.To the degree,the overlapping aesthetical imagination has not only its contingency but also necessity.This situation means conexistence of varied cultures which give Chinese aesthetical culture a gleam of hope.The overlapping aesthetical culture leads to the disappearance of a dominant style because the varied aesthetical culture styles are restricted to one aother.I call this aesthetical culture styles zero-degree styles.Imagery,subversion,game and revelry put people into imaginative space in order that their sense can be released.The thesis,emphasizing produce mechanism of the overlapping aesthetical imagination,point out the mecessity from imagination to reality by analyzing essential factors of prodrction and their structure .the psychological mechanism and relation between produce targets and producer.First of all,the aesthetical culture symbols form the overlapping aesthetical imagination through the principle of difference and its transformation .The meaning of the aesthetical culture symbol are made casually and never involve ethics,emotive,exchance,aesthetical exceeding and so on.In fact,aesthetical symbol transformation of the overlapping aesthetical imagimation results from requirements of high ranks,namely,self-realization such as aesthetical,creative power and symbols which regulate the sequence and transformation of aesthetical culture symbols.Forthermore,symbol structure is concerned with the psychological mechanism of proeucers.The overlapping of culture symbol is regarded as symbolic order and kinds of culture form imagination to make up for subject fission.The fissionable psychology and desire is expressed and sutured in the overlapping aesthetical imagination by symbolizing runction and metaphoring structure so inconscient becomes subject of symbolizing.Of course,fear and anxious can be shown in the course of symbolizing,The last but not least,the overlapping aesthetical imagination could be perceived directly through two aesthetical transformation from reality to imagination and from realative time and space to imaginative time and space.The second one makes the aesthetical imagination through change,namely,the transformation of aesthetical may form imaginagive time and space to real time and space.Therefore,real conflict could be comprised in the overlapping aesthetical imagination.In a word ,the overlapping aesthetical shows us development of Chinese culture from conservation and isolation,that is to say,these development are exceeding which is not permanent culture phenomenon but continuation because the exceeding can make a new world where we shall abandon the overlapping aesthetical imagination and show reproduction of aesthetical culture so that it enriches human activities and satisfies the needs of aesthetical culture.This shall be dependent on improvement of daily life and transformation which will overcome unbalance between economic pattern and culture pattern and be free from anxity for parts of culture elapse phenomenon and culture conflicts.