Discussion On The Three-dimensional Crosswise Thought In The Song Of The Accompaniment

"The three-dimensional crosswise thought in the song accompaniment"is original thought which is built on both of the rational knowledge and perceptual knowledge. From the microcosmic to the macroscopic progressive analyzing the various of the music element in the three-dimensional space and the several significant construction of the song accompaniment are result from profound and careful understanding concerning with the"three-dimensional crosswise thought"in the accompaniment. Moreover the process of thought which goes from the easy to the difficult and complicated is also suitable in other style of vocal music composition. Making concrete the"three-dimensional crosswise thought"in this paper, it generalized means that there is intently, complicated and visualization internal connection between the accompaniment of the song and the rhythm of it. Focus on the research of the accompaniment of the vocal music composition and analyzing the construct principal and creative method of the internal development element of"three-dimensional crosswise thought"in many accompaniment of song will contribute us to more recognize and understand the function and role of the idea of"three-dimensional crosswise thought"in the accompaniment of the song. Thus we can find and establish a kind of three-dimensional crosswise thought in view of the construction and the thought of the song and the lyrics when we analysis a integrity vocal music composition with accompaniment.Analyzing the vocal music composition with multiply perspective and multi-stratification planes and researching the representative work is attempted to explanation the form of the"three-dimensional crosswise thought"existing in abstract conception of time and three-dimensional space which can be through the personal analysis of spot, line and surface and structure analysis of them. Through research of song accompaniment and typical songs which include the induction and summary of rhythm, pitch, strong and weak, sentence type division, fabricate development, climax handling and the technical of duplicate accent prove that objectivity and necessity of seepage and influence mutually of the main tuning and duplicated accent of"three-dimensional crosswise thought"and how to artistic locate the"three-dimensional crosswise thought". Above mentioned is benefit in the accompaniment and performance of song and teaching and study of modern vocal music which can be able to explanation the creation idea and spirit content of the original work. As a result the second recreation can be accomplished much better.