Talk About The Modernization Drive Of The Chinese Film Since New Period

Modernity is that one originated from complicated concept of the west. With the quickening of the economic process of globalization, " modernity " has already become the important theory starting point of history and culture in modern times in China. Reach film field specifically,modern-consciousness becomes a important sign of modern film. Trace back to of our country modernity origin of film be begun with " left wing film " for 1930 times. Enter new period, the film of our country begins to develop in the spring tide of reform and opening-up vigorously, embody more obvious modernity characteristic.The fourth generation of director's most prominent common point, that there is human nature care in the works. But a generation full of contradictions of theirs, on one hand they are having the modernized earnest call and doing all one can to pursue, on the other hand,have one extremely concealed resisting psychology to urban life. So display puzzled and value orientation contradiction appear to two civilization choice of making, obvious just among a lot of works. This kind of contradiction is owned by the fourth generation of film maker only modernity too.If what the fourth generation of director's film displayed is " small story in great era ", so the fifth generation of director demonstrate one detached attitude, realistic to space out with tradition, take history and tradition into consideration in terms of oneself, constrain individual rights and life " revolution " of dignity produce the query by itself to everything, and it is grave, stern and detached that this kind of introspection consciousness behaves in the film into one. Meanwhile, shown as the showing especially of the image style, no matter the bold application of picture composition or color, the image model that all the Chinese film gets through a brand-new road.Enter the end of the 20th century, one of the most important characteristics that " globalization " had already become this age. China the sixth generation of film maker show up prominently in such era background just, they are with the rhythm of misted color, structure, rock of beating, edge personage changeable in mood, regarding film as media will carry on calm analysis and thinking to the existence state of modern young people. The independent film-making way in which they are forced to choose aroused the attention from western society at first too at the same time, which have formed the unique phenomenon of " bloom inside the wall red outside the wall ".Comb through the above, we find care, thinking of life theme this in people run through film of our country all the time joyfully. Meanwhile, contemporary city displayed existence of people puzzled facing I lose with sense of ownership issue of crisis since among the sixth generation of film, it is exactly a question that the mankind needs to face in the global range, that is to say, the modern thinking that the sixth generation of film demonstrates is not merely what the Chinese society has at the present stage, integrate with the world, this kind of modern thinking is global modern thinking.The Chinese film is still continuing advancing according to one's own step in any case, what kind of opportunity and what it will run into to challenge, all of us wait and see.