Local Territory Comlpex In Chinese Early Phase Oil Painting

"The May 4th Movement" brings forward "the fine arts revolution slogan , advocates that drawing (oil painting) comes to reform brushwork in traditional Chinese painting , to reform Chinese society , oil painting conducts conscientiously becoming a member of China with the west. That time's active main part in the painting circle accepts before the painter studying oil painting is Chinese tradition culture .but the traditional Chinese painting studying since childhood having a lot of painter among them, therefore their oil painting work mounts the technical skill absorbing Western painting in method, but emotion and interest and charm mount inevitable reveal ing Chinese local culture indication. With the fact that oil painting and Chinese culture crash unceasingly, painters have begun to melt to enter the oil painting work middle arriving at them conscientious with Chinese culture culvert amounts and local territory appreciation of the beauty mentality local territory implication has arrived at the Anti-Japanese War period especially intensely in work, that the local territory complex has more because of the war impingement is practical or immediate significance. The analysis the main body of a book is passed to the work face that China draws mainly in early phase oil painting seeks the cause that the complex produces to native country, and talking about the enlightenment that the local territory complex develops in Chinese early phase oil painting to the present age Chinese oil painting combining with actual circumstances in the instantly.