Research On The War Experiences Reflected In The Postwar School's Creations Of Japan

After the end of World War II, the Japanese literary which scene in a post-war faction as the representative, describing the war as the main wave of post-war literature. It can be said that this wave of literary works to some extent records and on behalf of the Japanese public at the time of the war's memory and understanding. Based on post-war literature in the post-war faction and his works research to the "war experience" as the focus to shift from experience to form the background of daily life experience of war and times of war, against the background of the war defeat Experience of these two point of view, trying to explore the Japanese nation on the unique experience of World War II and the perception, which can also see Japan's post-war literature on the war to describe the integrated features of a reflection of the attitude in the war , Expressed concern about the human nature, the call of love, the autocratic and self-reflection of the desire to establish. However, its reflection on the war has brought harm to the Japanese - the View of the evil of war, thus reflection and criticism of the war, one-sided emphasis on Japan, the Japanese as victims of the side, avoiding its first offender as one of the Facts. This is exactly through studies of Japan's post-war literature on the whole describes the characteristics of the war.In this paper, the exposition of the post-war literature in the "war" not only refers to the time after the end of World War II in August 1945, it also has specific ideas and literary characteristics of the mean. "The so-called 'war literature', probably can be said to be a literature of Painful struggle- have not encountered the history of Japan's defeat and there have been developments, at least with the world outlook and outlook on life was a positive from the situation and accept this defeat before the defeat of an attempt to create The literature does not have new things."Evidently, the" post-war literature "has a clear characteristic which is " after the defeat ".We can take the "post-war literature" as the main representative work after the war. Post-war camp and the pre-war literary creation, the characteristics of a novel, focused performance: In terms of aesthetics or in terms of ideology were created after the war is clear and to show that its pre-war literature of the cut stem. Based on the spirit of any new activities by the creation of new literature is bound to contain some of the content of cable, and the post-war faction of the literature by a new and "should not muddle of its own literary ideas", namely: the commitment to the war experience Issues and directions in literature will be tempered in practice, the facts also prove that the post-war Literature opened up the creative development of the road Japanese literature, has a profound value and meaning.As mentioned above, were created from the two post-war points of view, attention to the war experience for the end-result of literary creation. First, the paper talks about the post-war faction in the literature of war against the background of daily life experience. Take the Noma macro's work as an example; "dark picture" is the theme of a particular significance to 'efforts to complete the self-affirmed'. It is through this self-completed Shenjianjinjie's hearts of view, around perseverance in the lives of egoism, money around on the egoism and sexual selfishness, self-monitoring has repeatedly and exposes the egoism. To Zhuiminglinsan's works were in the bottom nihilism as an example, the living conditions at the time, Marxism can not help people as a spiritual pillar of the face of death threats brought about by anxiety and distress. In such a detachment, the suspected point of view, only to see the social reality of hunger and disease in the bottom of the struggling masses. All this constitutes a desperate reality and fiction hero "can not tolerate the intolerable status quo under the" mood of boredom, from the bottom of a nihilist.Second, the war experience of the post-war Literature in the background of the war.In Meiqichunsheng's work, "Sakura Island","I" was ordered transferred to the Sakura Island for the Signal Corps perspective, the focus is the performance of soldiers in the face of death. The story happened in the end of World War II, Japanese army facing a comprehensive defeat of the period. This time, death seems to be all the time every soldier could face the cruel test, therefore, the fear of death and the Health and the desire to limit. The face of fate like death, "die in a beautiful way" has become the final struggle of"me". It can be said that is also a great sorrow, and "I" is a mandatory before experiencing the ultimate suffering of the people. However, this is the last point of the struggle for health, is "me" to see the bodies of guards being taken down at the end of break. After losing the final longing, it can be said like that, "I" to the emptiness of life, "die in a beautiful way"is only a sentimental.Different from other writers, Wutiantaichun recognized that the "I" as the aggressor or offender side. It can be said that this is the most obvious different from the others. In his work called "Trial", he takes the blame of the murderer himself as the main context. While this "self-examination" or self-starting point, but the heroine dares to analyze the idea of their own self-deception, trying to find the nice side of human nature, it can be said that this description touch on the ethics of the root causes. The view of killings is Wutiantaichun's most important opinion on human understanding under the modern time.Similar with Dagangshenping,Meiqichunsheng's creative point of view is also self-gaze. Difference is that the "Sakura Island" at an impasse in the "I" at least find the spirit of the focus, but the work called"the story of capture"which wrote by Dagangshenping, left a problem that seems can not be explained, that is why not kill? We have been able to identify the completion of the reasons, because of this problem lies in its accuracy and errors of judgments. However, the unfinished, its causes are always ambiguous in the negative form of the past. There are many kinds of assumptions, but no convincing to the extent of another person, but what can be sure of is: the author passed through the delicate strokes" as "expressed their anti-war sentiment. But the works of important and truly represent the "I" crimes "he" - the region was invaded by the representatives of the people is about the very few. Described by the author of the war and the war itself is the existence of differences, Such a narrow field of vision, not the so-called literary works and the ideology of alienation caused by, but with the author in which the Japanese cultural background and social background.Although Noma macro's works in the early stages of the war experience for creative motivation, but he really talking about the war in the creative fiction, he wrote: "In order to the war as a war to be truly grasp, it must stand on the eradication of war Stance, can stand in a clear criticism of the position on the war. It can be said that until 1952 he published a study of the "vacuum and substituting" Yejianhong finally achieved its "war of real content" of the practice. In his work the author shows the public's love and profound sympathy. It can be said that Noma macro finds the main confrontation from the normal people who live in the bottom of the society.From every point of view of the history of human civilization, war is the most brutal facts. Post-war literature as a special historical period of war records and memories can and should be of such destructive events alerts and introspection. However, it is not difficult to see that the post-war literary works pay most of their attention on the pain which was caused by the war. But the affected countries and regions suffered by the catastrophe has ignored or casually, completely on their own "war victims" in the perspective. For this kind of attitude and approach should be taken critical attitude, the consequences are very serious.Although Japanese literature reflected the existence of biased understanding of the war has also brought adverse effects, but through this literature on the post-war faction of the overall discussion of thinking and a rough study, we can see that the end of the war years and no end of people's Thinking of the war, though this thinking more biased in favor of the Japanese nation as the starting point, consider that the spirit of the people of this national experience. However, at least in the thinking and living life and why this point is the significance of progress. We can also observe their thinking better understand the way this nation, on its understanding of the narrow field of vision and cultural backgrounds to evade the responsibility of attitude can be a critical self-examination at the same time, the cause is of practical significance.