On The Purity And Diversity Of Modern Chinese Lacquer-Painting Language

The better ecological environment of modern Chinese art since the 1980s reform and the opening to outside, the artists profit from each kind of western art style and place emphasis on personalized artistic experience to pursue the language style of the works ,forming the multi-dimensional development aspect gradually, along with Chinese political reform and the economy open, the artists obtaining not only the economical success, but choosing the expression of speech morphology, individual value, artistic value standard and so on, which also presents the complex multiplicity. Modern Chinese lacquer-painting accompanied by the development of modern Chinese art is a new artistic form, it takes the paint as the main medium material, has the unique picture effect, the rich skin texture and the novel material quality change, unified the Chinese traditional paint skill characteristic and the modern art idea, underwent near 50 years development, has already become the main component of the contemporary arts.The painting skill as a traditional intermediary material, its cultural value is receiving respect gradually; the modern Chinese lacquer-painting basically has already established its independent status in the painting world. As an independent painting, there are still many issues to wait for probing into: The definition of lacquer-painting material, the relationship between craft and drawing, the purity and diversity of the lacquer-painting language ,how to make lacquer-painting from a small picture become the Chinese art an important component ,how to establish itself as the status of a main artistic style of modern art and so on, under the tremendous pattern of the multi-dimensional development of the present arts, the unified consensus has the specially important meaning regarding the lacquer-painting development.