On The Image Of Chinese Contemporary Painting Strategy

In western countries, drawing and picture were originally the same concept, but after the invention of manufacture technology of modern picture, they totally changed, dispersing from one point. Drawing became marginalized because of its non-practical value, however, with the impetus of creating manufacture technology, picture rapidly took the place of drawing, which used to be function of media form, and along with its advantage of convenience and popularization picture directly affected people's daily life, so that picture transfer is created in the field of culture expression, that is picture, taking its own advantage of version, implies the tendency of word's inactivation, on the other hand, it gradually substitutes the central function of language in the field of art and culture expression.With the coming of picture era, even though it makes drawing loose its social attention and narrow its size of audience, life of drawing does not lessen but enlarge its scale, style and form, comparing with the history. This is the result of drawing and picture's recombination after times of separation. In the history of contemporary western art, the recombination represents three meanings: firstly, it keeps its attitude of rebelling tradition, and break the boundary of art and life. Secondly, after western world's entering of picture, artists became focus on reality. Thirdly, not only does drawing overcome the disadvantage of picture (passive aesthetic) but also reborn after recombination. This combination has its context logic in western art history, that is picture and drawing existing under the condition of combination----separation----recombination. Thus, practice of drawing's picture in contemporary western world is on the cutting edge of modern art. But Chinese contemporary practice of drawing's picture, comparing with the western ones, because it does not exist in language linearity of western art history, basically does not possess the development logic of breakness and rebellion, vanguard and guard. Apparently, its meaning of on the cutting edge actually is to look for innovation of drawing of neo-modernlization and realization of traditional school, and the realistic fpcus on Chinese society transformation. Under the condition of admission of national policy ( admit of creative culture policy , acceptance of practice of picture from school education )and input of market capital, the meaningfulness of on the cutting edge which Chinese modern drawing picture firstly owned disappears and turns to likeness to popular culture and policy ' that how to enter the consumer market.The process of Chinese drawing picture policy develops on the background of internet and popularization of digital media technology after the new century. In one aspect, Chinese painting always includes picture tradition, not excluding elements of it. The other aspect, Chinese society actually enters a version world, flooding pictures influence Chinese people's daily life. With this status, this picture policy adapts for the tendency of social development, and it makes painting find a way for self development when picture faces unprecedented living pressure. And at first, artists put other ways into focus on Chinese society's reality through the combination of picture and drawing. But this focus is gradually becoming description of popular picture's signification and having some sign of patternization creation after suffering from art consumer market. This can only explain that artists are lack of main body consciousness when they prone to popularity of mass culture and its commercial temptation, but has nothing with form of picture strategy itself.