The Research On The Comparison Of Female Film Between LISHAOHONG And GUANJINPENG

The Female Film is a specifically idea in the western countries, which lays great emphasis on the female's independence, and has a close link with the woman's rights. When the era of reforming time was coming, China's closed-door policy was broken, the Female Film and its theory was brought into our country and referred by our countrymen. From then on, China's film was not only a variation on the reaction of female's marriage, love, family and social value, but also started to think about female's independence, self-awareness, sex difference and the consciousness of main body. All about this was working through the female consciousness, which developed the space of Female Film of China, so we should dialyze and think about China's Female Film from a different angle at the present stage.The paper is divided into four parts to explain itself in four details:Firstly, the paper generalizes the rise of Female Film in China and the characteristics which is influenced by different culture.Secondly, the paper compares Female Film between LISHAOHONG and GUANJINPENG to illustrate the developing state of Female Film at this time in our country. The paper is not only explores the style and the meaning of their works, but also generalizes the level of feminism which showed in their works.Thirdly, the paper summarizes the meaning and value of feminism and female consciousness which communicated in their Female Film works at this stage in our country, and it also investigates the existed problems in their works.Lastly, I put forward some suggestions which mainly about the production and the practice of Female Film, and I also put forward some suggestions about how to construct the more powerful Female Film words.