The Evolution Process Of The Washing Finger Painting' Sculpt

Through the developing course of washing figure painting, the sculpt of washing figure painting has changed greatly from ancient to modern, which can be said it is a historical progress, or a kind of self-exploring result.Washing figure painting from the first day of birth has an independent value of significance and aesthetic tropism. Through the history of Arcadian painting, we can see that washing figure painting appeared late. Though some paint which is visualized, generalized, and with untrammeled pen came into being,Finger painting emerged basically in the face of the fine brushwork, pursuing the painting ideology of"paint spirit with shape", claiming"bring writing into paint", the painting and style of line adapt to the style of writing. From LiangKai in Song dynasty inaugurating straightforward painting, washing figure painting begins to develop. Thinking much of substrate and despising phenomenon of Chinese traditional philosophy has a great embodiment in the traditional washing figure painting. With the affect of that ideology, painters pursue the style of sculpt which is"painting carelessly, not seeking similar in shape". The style of sculpt makes the character sententious and general, exerting the function of"writing"greatly and easily according the demand of literati expressing their emotion.The amalgamation of western amalgamation and mode of sculpt, fluctuates the philosophy foundation of traditional painting, and reconstructs the traditional consciousness. People begin to condemn the old civilization and morality which is at an alone respect position. In the inditing process, washing figure painting begins to encounter a new challenge with the disposal to the character, the volume and surface sculpt begins to replace the imago sculpt mode with line. Archaic sculpt justice concept,"not being similar in shape", begins to suffer concussion coming from the realism sculpt concept. At this time, there are representational sculpt, abstract sculpt and imago sculpt. As the representative of many person with lofty ideals, Xu Beihong and Jiang Zhaohe begin to attempt to use the realism sculpt mode with"Chinese and Western amalgamation"to reconstruct traditional washing figure painting.While washing figure painting runs to modern times, people begin to observe the importance of expressing their emotion when they are paintingAnd the grasp to the composing factors of menu, releasing the sculpt mode of washing figure painting. Although Western realism enhances the embedded depict to shape, it brings many abuses, such as mechanical, simplify, lack of vitality, etc. So we need to embed to understand intrinsic spirit of washing figure painting, having profound cognition to imago sculpt, as well as absorbing the Western realism and abstract sculpt factor dialecticly. Nowadays, we need to deal with the relation of washing and sculpt, makes it keep washing gusto of itself, at the same time, as well as not taking leave of veracity of sculpt. Many artists which are of the time and modern times begin to bring forward more great challenge to the sculpt problem to washing figure painting. Their exploring keep back deep footmark in the phylogeny of washing figure painting.