On The Modeling Concept Of Chinese Figure Painting

Chinese figure painting in China first appeared as a bud and the first mature painting, and its shape laws and history of the development is affected by many factors, reflects Chinese people's unique philosophy, aesthetic standards and psychological needs. Today we want to better development of Chinese figure painting, we must systematically study and understand the basic rules of Chinese figure painting style and development history, so that we can practice in creative and create a truly vivid and moving image. This history of the development of Chinese figure painting is divided into three periods: the traditional period, modern times and contemporary periods. 1, the traditional period. From the philosophy, God-shaped, Qiyun, subjective and objective, realistic, modeling means of the analysis and study of traditional Chinese paintings of the shape of the basic laws and to sum up the history of the development. 2, modern times. Adoption of modern Chinese historical background, cultural background and specific analysis of several representative artists, learned Chinese paintings of realism in art modeling features and the reform of the important position. Third, the contemporary period. Through three different pairs of contemporary Chinese paintings of artist development and their representatives, the shape of a specific study, summarized in the form of contemporary Chinese paintings on the state of development. Finally, through three periods of study and sum up the above we can see that, because each period, social background, cultural background and aesthetic taste of the different shape of Chinese figure painting in each historical period are different. As we speak of a "calligraphy as with the age" at the same time, as the primary basis for a shape like a painting should not be static, it should also change with the times. Only in this way can the Chinese figure painting in today's society a situation of rapid development, create a moving image and create a stirring of the works; to meet people's new aesthetics and psychological needs; fine art such as better integration into the world.