An Analysis On The Image Trend Of The Chinese Landscape Oil-painting

The Chinese oil-painting has already developed for more than one century, while the Chinese landscape oil-painting occupied an important position in the development of the Chinese oil-painting. By a variety of creative practice and theoretical exploration. Looking back on the past, I found that many artists had absorbed the Chinese traditional culture conscious or unconscious into their workings, so the landscape oil-painting emerged a trend to image. Moreover, this trend is more obvious in the recently years, and it is deserved to make a deeply study. As a matter of fact, there was an upsurge on the discussion of the Chinese oil-painting in the 1950s and 1960s, and some artists put forward the idea of"image painting", whom advocate the combination of. The great Chinese traditional culture and the oil-painting, to which express the people's truth to the world, the nature and themselves. The image trend of the Chinese landscape painting, mainly due to the affection of"image"mentality and thus the pursuit of"shape instead of image"and the harmony of the shape and the image. The combination of Chinese landscape oil-painting and the Chinese traditional culture supplies a widespread prospect and profound influence to the development of the Chinese oil-painting, also it is playing the decisive role to the development of the Chinese contemporary oil-painting.In order to grasp more accurately on the image trend of the Chinese landscape oil-painting, to explore the national art's influence of the Chinese contemporary oil-painting; I select the Chinese contemporary landscape oil-painting to study, and to analyze the basic characteristic of the image. In chapter one, I begin with the basic meaning of image, analyze respectively the image Aesthetic to the Chinese traditional culture and the aesthetic image emerged in the western Aesthetics. In the discussion, I refer to the Taoism, Buddhist, poem and the image in western Aesthetics to lead to the modern image. In the chapter two, through the analysis on the background between Chinese and western drawings, I explain the history reason and the era background. Why there was an image trend appeared in Chinese landscape oil-painting. The chapter three is the key of the whole article, in this part, I give a present situation of the Chinese landscape oil-painting, the image existence style as well as the characteristic at the image landscape oil-paintings, and it has proved that the phenomenon of the image appeared in the contemporary by several drawings.Through the analysis on the Chinese landscape oil-painting, I find that image landscape is not only lead us to appreciate the beauty of nature, but also arouse our devotion and deep feeling to our lives. The growing numbers of artists are fond of adopting the image into their workings. The image landscape oil-painting is the native oil-painting that absorbed the quality of Chinese humanist, which concerned with the quality and value of human'being, attached important to belief and dignity, and emphasized the emotion of art. The appearance of image is not only the inheritance of national spirit, but also provides a prospect for the development of Chinese oil-painting and opens up a new path for the for the pursuit of the human's spiritual home. So it made more practical significance to discuss.