From The Luxuriant Mausoleum, Along The Mausoleum Stone Carving Looked That Chinese Tang Esthetic Transforms

The Chinese,Tang are in the Chinese history two most magnificent feudal empires.Chinese's containing,great,great puts with romantically,manifests the magic arts natural plain beauty,has a milestone for the later generation art tree,has opened the stone carving art "the model" the beginning.Experiences more than 300 year historical vicissitudes,the Tang Dynasty sculpture development for another peak,is dignified for the human, riches and honor,vigorous,firm beauty,displays the manpower great and to the world subjective creation.If the Chinese is stone carving art "the model" it "the beginning",Tang Ze is "the model" it "frames" this kind,later generation art creates feels awkward its about.Places the modern age,this kind "frames" to Chinese Tang between "the outset" conducts the research,can for us,when what spirit faces the life by,carries on the creation facing art to provide may place of the warning.A nationality's esthetic appreciation,is this nationality intrinsic "the spirit" the reflection,through the artware this "the medium",transforms into the spirit for the external representation.Preserves until now Chinese,Tang mausoleum stone carving art is this kind "the spirit" and "the representation" community. Then,in turn,we may Cong Zhei "the representation" in pursue its history condition originally,and this condition gathering is river of the splendid sight human esthetic history.And this,the present paper selects the Chinese,Tang two generation of most representative two mausoleum - - luxuriant mausoleum Huo Qubing grave stone carving and Tang Shunling the stone carving carries on the analysis comparison. Launches the research take two grave master's status as the line,according to can manifest the imperial family the stone carving artware to be esthetic and the folk esthetic angle carries on the classification,makes concrete again to each aspects and so on stone carving theme,content,expression means that stone carving decorative design in a utensil,does with the artistic archaeology method to the Chinese and Tang's esthetic transformation by the depth research inspection.According to proposes the artistic model,the artistic program concept to the later generation art's different influence.Unifies the Chinese,Tang time politics,the economy,the thought that the culture,the religion and so on development to comb its esthetic change process and this process evolution condition;Through this combs and the research process,to the luxuriant mausoleum Huo Qubing grave stone carving overall layout which until now guesses proposed own viewpoint,and based on this by discover its esthetic characteristic to its carving technique's classification during;And through the scheme contrast's image study method,in and unfolds the Chinese along the mausoleum comparison to Tang's esthetic evolution process.In addition,the paper adopts the literature methodology to carry on the collection,the consult to the archaeology material;And unifies on the spot,the material object research,carries on the linear method to the material combing; In the analytical study,uses the comparison method to carry on the analysis, including:The historical comparison,the image,the scheme comparison, compares from the slight place analysis from the Chinese to the Tang mausoleum stone carving art development change.Through to this transformation and it to the later generation art influence's research,obtains:Art does not have in the height direction development esthetically,only then style transformation;The mausoleum stone carving art date from Chinese,frames Yu Tang;This frames is mausoleum stone carving art from the model to the stylization evolution;And from the Han Dynasty and the Tang Dynasty stone carving creation's different process,pursues it to be possible to supply to today art creation to profit from the place.