| The self-marginalization of modern critical literature and the strangeness of its language have made itself lose the people's attention but as one of the Chinese traditional critical modes, the comment takes subjective experience and aesthetic sentiment as its characters, so it is close to the people all the time. The comment shaped in Tang and Song dynasties and it was applied to poems, and it was very popular to be applied to comment on novels and dramas in Ming and Qing dynasties. Jing Shengtan in Qing dynasty had improved the form of comment, his comment of The Story by the Water Margin and Zhi Yanzhai's comment of The Dream of the Red Chamber were both quintessence in the comment history. The comment with subjective experience and individual language characters was established in the text. Its main purpose is the explanation and the taste and it also payed attention to readers' feelings. In spite of the faultage of comment in last century, the regression of comment after the 80s has proved its vitality. It is not only proved by the coming into market of various comment canons, but also the comment of classical novels by modern scholars also including modern ideas, such as Bojun Shen commented on The Romance of the Three Kingdoms again, he succeed in the basic spirit of comment, and he tried to comment with an eye to the modern view on the foundation of regarding the history and the ancients' study. Tao Mu's comment of Earth door in the end of 90s, the same series comment of Pingwa Jia's saga novels, and Qingdong Kong comment on Lu-Xun's novels proved the possibility and feasibility for the comment to exist in the modern critical literature, and it reflected that the people thirst for the sensitive criticism. Therefore, we emphasize the comment's character of spiritualization, and wish it can accrete and complement each other with rational and academic criticism, broaden the critical modes and eyeshot for modern critical literature, and attract the people's attention.
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