Vision Culture And Evolution Of Calligraphy Space

Under the background of vision culture,an attempt is made to provide a sight and possibility of development,contra posing the "low tide" of Calligraphy modern innovation.Firstly,taking space concept as point of penetration,through combing the calligraphy space conception of both tradition period and "machinery copying times",and combining the "image" theory of vision culture,we try to build the calligraphy space ancestry.Secondly,by analyzing the hyperspace conception that be implied in the primitive art,ancient philosophy and Calligraphy theory,besides,the hyperspace conception that west modern art expounds,we try to build a theory basics for the "modern calligraphy" which is attempting to break through fetters brought by two-dimensional space.Finally,through analyzing the another side of present Calligraphy's modern innovation,the exhibition and "the Exhibition Form",as well as the successful artist Zhao Wuji's create concept,we try to discuss and correct the mistake in the Calligraphy modern innovation,and finally find the direction of it.That is,stick to a realizing of that keep a foothold in and go deep into the understanding of Chinese traditional culture,making "modern" become beneficial tradition complement,completed the Calligraphy modern innovation sufficiently by stages,build the "law" of "modern calligraphy",and probe the new optesthesia form for it.During the junior stage,the Calligraphy modern innovation should take expounding tradition as basic mission,in another word,take modern space conception as basis,using the calligraphy language sign to create optesthesia form,so as to creates new "image" of traditional culture.