The Influence Of Public Aesthetic Tastes To The Language Of Contemporary Chinese Interior Design

Interior design is accompanied by the development of human civilization history of the development process, it is the design arts disciplines in one of the important members. It's a popular style with the cultural development of all sectors of the community has the ideology of a very close relationship. Social transformation today, many people have in mind on all kinds of confusion, loneliness. The emotional end of the century, living an illusion, and so on troubled times the people of goods. And the creation of popular culture is the basic principle stresses the principle of present happiness. This paper tries to stand in the public interest aesthetic point of view of the current epidemic of interior design in the form of language to organize and research.Papers from what is interior design in the form of language, interpretation of the interior design language in the form of the basic concepts, the basic rules and formal beauty in the relationship between consumer culture. And aesthetic tastes of the public under the influence of the interior design of contemporary China's domestic situation in the form of language. Second, the aesthetic tastes of the public aesthetic and interesting concept, the basic characteristics of the development gave an explanation of the status quo. Finally, the contemporary interior design form language and the development of the aesthetic tastes of the public, identified in the consumer era of China's post-modern interior design features. Want to upgrade their industries and the current social and cultural context of the cultural consciousness.The purpose of this paper is not to write history of interior design aesthetic or cultural history is the general public. But through the current popular form of interior design language content, form, development and origin of the analysis, the public aesthetic in contemporary cultural context, the special aesthetic interest in the design of the impact. Also hope to interior design from the perspective of post-modern style of their cultural impact on the direction of development. "Popular culture" For the vast majority of Chinese people is still a new term, but regardless of whether or not we aware of its existence, it is at an alarming rate and intensity of infiltration swept across the entire Chinese design. This paper attempts to this culture through the aesthetic interest of research, in the present China's new aesthetic awareness of the existence of the public, through its design and the relationship between the discussion and found some pros and cons and hope to work in interior design Help and inspiration.