Chinese Landscape Painting Realism Performance

This article main elaboration realism creation method in the Chinese landscape painting performance, uses in the analysis history each time landscape painting realism creative idea, summarizes the nature and the life is all lives sources, is the inspiration origin, the landscape painting performance is the person and the nature intimate contact, the drawing main body only has is infatuated with for a long time in the nature, the nature vigorous vitality inspiration, can unceasingly have recent development, the new feeling, the new creation, only then has the opportunity to perceive through meditation the natural rule, accumulates the rich emotion experience, can create has the eternal vitality the affected mind outstanding works. Otherwise, the landscape painting creation one but was separated from the objective reality, the potential has essential changed the ossification, the cavity, moved towards the formalism the path, potential of the deterioration is unavoidable.From Southern Dynasty Zong Bing, Wang Wei "the body lingers, an item institute is emotionally entwined" cuts "when vast the system to five generations because, searches for wonderfully creates really", until Song Dynasty Guo Xi "not is bigger than full You Wo to look", although every time develops the change along with time vicissitude, but is not one exception the painters all are accumulate the source material from the life, picks the mountains and rivers myriad things the divine and wonderful spirit and the vitality, has obtained the happy image, the ideal condition, tempered the drawing performance language, has raised the new artistic feeling stress. They adapted with each time esthetic orientation, had reflected the different time painter in processed wheting which between the person, the nature and art related with the consummation. But Yuan generation because the political reason scenery painter hides away the wooded mountain in abundance, expresses feelings in the calligraphy and painting, expresses the subjective attitude puts on the most important status, namely by does not take the form of, but seeks divine help to resemble. After the Ming Dynasty, restores the old the unrest to become the mainstream, take Dong Qichang and "four kings" as representative's legitimate picture wind emphasized constantly the picture form, copys the ancient words, "mark of the ancient but must not heart of the ancient", be separated from the nature life, was separated from "has imitated the good fortune", has lost the artistic vitality, the landscape painting development gradually flow away.At the beginning of 20th century Chinese landscape painting development, in "54" around, specially was the landscape painting which passes on down by the bright pure running water follows becomes common practice the filthy sickness already becomes the numerous arrows about the Chinese tradition drawing, becomes the hitch orange which the traditional Chinese painting transforms, painting world's men of insight start to initiate the traditional Chinese painting reform, the initiative want to focus to the reality, the transmission spirit of the age. Huang Binghong, Fu Baoshi, Zhao Wangyun, Mt. Guanshan month, Dong Xiwen... ... The nearly all sceneries painters all select material in the real life through the sketch to the life seek artistic the inspiration. Causes the landscape painting to hide from the traditional painting of a scholar leisurely passes the world, in the empty static house arrest condition goes out. New China had been established after the landscape painting development, the realism creative idea becomes in the creation the mainstream thought, in the socialist construction humanities character and style and the natural scenery all becomes "the new landscape painting" the creation subject, the painters and filled with really is zealous with the clear feeling has recorded that fiery red special time.Today Chinese fine arts, each kind of western modern art thought and the idea numerously assume the combination, however we must sober saw, China's landscape painting creation generally exists lacks the spiritual performance to drift away beside the real life to satisfy concocts "the paradise" on the paper surface the crisis. Therefore, to the realism drawing and between the social development condition intriguing relations research, how reflects the real life to the realism drawing art, thus becomes social and the time intellectual and artistic product research, as well as with realism drawing correlation painter's individual life condition, creation experience and esthetic pursue research and so on, becomes today scenery painter the topic which must face in the new historical development stage. In the present age, what is the Chinese landscape painting development change artistic path? Hundred year Chinese landscape painting history tells us: The real life is the landscape painting creation soul, the painter only has in the life seeks to real America and the move, will be able to create the eternity to spread shocks the will of the people the high-quality goods strength to do; Otherwise, the drawing creation can become the water without a source, not have this wood, will certainly to move towards declining. Therefore, the contemporary scenery painter not only wants reto know to the tradition, inherits in the traditional landscape painting creation the essence, must develop with the times, receives the older generation landscape painting masters to pay great attention to the life moving, causes the landscape painting to draw close to to the real life reflection, grasps traditional and the contemporary relations, grasps traditional and the life relations. The contemporary scenery painter should unceasingly enhance own cultural education and the quality, enters the life, the time must feels for the side person or the scenery, thinks, moves. The life forever is the creation fountainhead, the life is the source material, needs the painter to derive, the reorganization, the choice, needs painter's assurance ability, needs the painter deep art judgement, needs the painter talent the original feeling, needs the painter accurate performance technology, this is the Chinese landscape painting in the contemporary development change artistic path. Today, the Chinese landscape painting mainstream creation must enter the realism the development phase, the realism should be painter's one kind of cultural responsibility and the social consciousness, and from this the stimulation art main body performance strength and the effective linguistic environment, sincerely deeply loves art and the life, with fills the current relevance and the profound spiritual artistic work affects and the impetus society progress and the development, impels the Chinese landscape painting creation together in the contemporary progress and the development.