A Study Of The New Balance Of Nature And Spirit In Landscape Painting After The Founding Of The People's Republic Of China

In the 20 th century,along with China's social development,Chinese landscape paintings faced the political,economic,foreign culture and contradictions and other factors,and the wave of transformation of Chinese paintings was launched.Among them,landscape paintings suffered from problems such as out of life and feel free to imagine.Huge criticism,at this time,even the thought of the decline of landscape paintings.In response to these phenomena,the landscape painters reflect on and explore the landscape paintings on the basis of traditional Chinese paintings,and strive to innovate and revitalize the landscape paintings to make them fit the times.This paper explores the internal changes of landscape painting in the new era through the study of the nature and spirit of the 20 th century landscape painting reconstruction.This paper first analyzes the basic connotation and development of nature and spirit in landscape painting.The second part focuses on the transformation of landscape painting after the founding of the People's Republic of China,and gradually pays attention to the nature.Under the influence of realistic painting ideas and painting practice,nature and spirit are balanced again in landscape painting.In the third part,after the founding of the People's Republic of China,through the study of the representative painters Fu Baoshi and Li Keran at that time,the author further analyzed the artist's grasp of the nature and spirit in the creation of landscape painting,and more intuitively felt the organic unity of nature and spirit in landscape painting.Finally,it is the inspiration and significance of the 20 th century landscape painting transformation,and hopes to help the creation of contemporary landscape painting.