| The orginality of animation is the fundamental problem in animation industry chain. During the creation of animation, to compose a dramatic story is the core part. Based on theories of narratology, my academic dissertation is case studies of classics animation in Ameician & Japan and our home country, which is try to unscramble the theme/character and structure in the animation script. This dissertation is divided into three parts:The first chapter focus on how to create an exceeding topic to insure the connotation of animation theme; the second part divided the character in animation into two genres, which is 'power-reciver' and 'assistant-rival', to analyze different functions they undertake; the third chapter talks about the 'dramatic narrative structure', and points out that the structure of story not only determines the sequence of elements, like space-time, circumstance and characters, but also conveys a concrete and specific experience about life. |