Brother Zhou's Esthetic Modernity Thought Of Native Place Special Characteristic

Brother Zhou and Western esthetic modernity ideological trend relation, Until now already is not a new topic. Founds a nation the later research, mainly has two kind of main orientations: One kind is denied that Brother Zhou to Western esthetic modernity thought's carrying on, one kind are although approves Brother Zhou the thought to belong to the esthetic modernity evolution, actually only pays attention to them esthetically modernity to carry on to the West and neglects its localilzation creation, even equates theirs thought it to the Western esthetic modernity. Actually, Brother Zhou's esthetic modernity thought is the esthetic modernity with Chinese characteristics, it is inseparable from the context of morden Chinese society, it is the Chinese tradition cultural pattern"the configuration function"result; This article goal, is discusses Brother Zhou from the cultural science angle of view the esthetic modernity thought the national characters. Lu Xun and Zhou Zuoren's esthetic modernity thought that respectively is the Chinese culture spirit two big traditional - - Confucianist tradition and the Taoism tradition"the configuration"product.The non-rationality, the experience and the individualism are Western esthetic modernity ideological trend archery target regulated, the Lu Xun thought with its Western forerunner's difference, mainly manifests in the treatment individual complex manner. Indeed, Lu Xun takes the individual particularly individual mind world the value, he once was clear accuses"most people's tyranny", proposed", no matter what individual, but arranges the mode", but, Lu Xun individualism is the paradox type, individual value not by making absolute. This centralism attribute in him"the intermediate"in the thought that is the individual standard value and the community standard value in conflict compounding. Traces to the source, the Chinese tradition"the beauty unites"a Yuan culture ideological mode, has created the Chinese culture ethics selfish departmentalism value orientation. The western culture supposed unreliably has been higher than the present world"the idea world","God"or"the pure rationality","the thing-in-itself"and so on metaphysics main bodies, although the esthetic modernity ideological trend appeared by the counter-tradition's posture may still not get rid of the dual ideological mode the configuration, they paid attention the will, the intuition, the emotion, the existence experience, the poetic sentiment dwelled and so on essential factors were still by the making absolute, metaphysics, also became itself to this all experience to have the ultimate significance self sufficient behavior. Regarding the Chinese, the universe is not with is constituted by the source and the phenomenon creator by the divine creative force, but is the production. This culture ideological mode causes the Chinese to regard in the real world and the real world social relations, emphasizes between the person and person's ethics responsibility. Certainly as China intellectual's Lu Xun under the Confucianist ethics standard culture's configuration function, has rejected Western esthetic modernity ideological trend this kind"the pan-esthetic principle"the self sufficiency, but caused its roentgen physics and chemistry.Compares with Lu Xun, Zhou Zuoren fused the esthetic modernity and Chinese tradition Zhuang Shan the spirit, has a brighter individual. But in utilitarian with the non-utilitarian question, Zhou Zuoren manifested the remarkable national characters. Zhou Zuoren"comfortable"thought that is hiding material, the utility premise. Zhou Zuoren's esthetic modernity experience therefore does not have utilitarian and the utilitarian paradox-like fusion, but this is being interlinked with the Chinese Taoism culture tradition. Western culture as a result of source and phenomenon, divine creative force with by divine creative force, existence and existence separation, but has accomplished two kind of measures of value: Divine nature measure of value and human nature measure of value. Self sufficient, the ultimacy esthetic modernity individual experience, are take this as the premise, it promotion and so on will, emotion, existence for divine nature, surmounting criterion. In China, the divine nature criterion, the surmounting criterion are the absence. Zhuang Shan the spirit, from its source then must with the aid of reality. Zhou Zuoren's esthetic modernity thought then has the more vivid present world content.The elaboration hence, may draw a conclusion: The Chinese tradition Confucian said that the supplementary cultural structure has its inevitably. Confucianist tradition attention society community benefit and value realization. But, regardless of how to put in the social community the value sequence the peak, it cannot rise is"the god","the absolute idea"and so on extreme, metaphysics other shore criterion, cannot deny that it is by the reality, concrete constitutes this brass tacks personally. Therefore, the Confucianist tradition is essentially impossible to repel the individual life value, otherwise its foundation will be found time. The Confucianist theory has not made in the text to this point the emphasis, therefore, it needs Taoism makes"between the text"the supplement. Taoism's surmounting spirit has the present world characteristic, was still completes in the reality social community, however Taoism in the text more stressed that"not treats", it also needs"between the text"the supplement - - needs the Confucianist to pay attention to social the value system with it parallel, supports a complete cultural structure together. Looked from the cultural configuration's stratification plane that Lu Xun and Zhou Zuoren appear in the identical time, is precisely the meek road repels one another the tactic pattern which the mutual promotion of the five elements, is opposite yet complementary under new historic condition extending; If"Wu Si"are the Chinese modern culture beginnings, then may say nearly, they have represented the Chinese modern culture two traditions separately, but these two traditions also constituted with the traditional Confucian said supplementary was interlinked tactic pattern.