In The Perspective Of Modernity Of His Soul Entanglement

Wang Xiaobo's works and his complex spirit connotation bring us some difficulty, he is a special existence in Chinese contemporary literature, he and the new-period literature and the entire Chinese traditional literature are closely related. In addition, his life experience makes his works full of strong westernization ideological tendencies. Reading the works of Wang Xiaobo, you'll find that he has created a series of psychological obstacles existing in the original creation, often with literature narrative different from his original creation of literature, we could feel his soul full of conflicts. So the paper puts forward a question:paradox. In this paper, in order to restore vision modernity in the background, it will be the creation of cultural context and the experience, so the contact of literature narrative and its limitations is transcendent.Introduction to the paper defines "aesthetic modernity", according to the categories of KaLin, aesthetic modernity is a dialectical relationship between the concept of triple, the traditional culture, and enlightening modernity opposites, and aesthetic modernity itself, the works of Wang Xiaobo are opposite the triple contradictions into the dialectic relationship of investigation and analysis on the paradox , so the existence and the paradox of narrative can clearly show. This paper is divided into four main part.Chapter 1: the paradox of modernity swirl contradictions exist. The first quarter mainly introduces the cultural background of the emergence of Wang Xiaobo's process, in the process of development of modernity, Wang Xiaobo becomes the hottest, but most of his works formed in the late 1970s and 1980s end this period, so the coding and decoding theory according to the hall, creation and interpretation of Wang Xiaobo is caused by a paradox. The second section of the first quarter mainly wants to worship the manifestation of the group. The third section is to create a depth of Wang Xiaobo to restore the existence of deconstruction. First is the complexity of the text. Wang's narrative using many postmodern strategy, but not the postmodern cynicism and narrative, through the postmodern narrative we can still see his deep modernity, this is the rational spirit of narrative paradox. Second is his complexity spirit. His free spirit and the traditional Chinese nature are closely related literature, but the influence of western culture and the strong desire for the salvation of Chinese traditional culture, the breaking of the rationality of bondage. This reflects the creation of aesthetic modernity and cultural tradition.The opposite side of the paradox of Wang Xiaobo also appeared.Chapter 2: modernity of historical narrative strategy. Modernity marks an advance of time sequence, often shows a rout of history, but the historical truth tends to reproduce the specific historical scenario, shows a carnival. Wang's works also reflect the characteristics of history, but history is just his aesthetic strategy. So the rational truth and enlightenment of aesthetic modernity concern aesthetic itself constitutes a paradoxical relation of tension, his creation also presents the paradox in the tension in the relationship. The first section of the main use of Wang Xiaobo archetypal theory of novel creation of the prototype, and trace out of the garden of Eden. The prototype of the resurrection is a historical memory of historicism, but a kind of modernity, rational spirit requirements of the state on time, the creation of Wang Xiaobo is actually a kind of aesthetic modernity, in pursuit of aesthetic modernity and enlightening modernity in the complex. The second section of this part is his historical description. He makes the communication history and reality connected, and in the history and reality in the gap to insert a imagination space, in addition, he puts the history into the ethical narration perspective. But on the enlightenment on the historical narration rational under the anxiety and passion was his account of the powerful discourse carnival state subversion. In the history of reduction and reconstruction of the narrative, he becomes a great paradox. The third quarter mainly wants to through the historical narrative strategy of Wang Xiaobo, explores the paradox of Wang Xiaobo's complex soul behind the thoughts and narrative pattern.Chapter 3: the expression and radical: extreme style test. In the 1980s and 1990s, the social upheaval in the pursuit of economic development becomes a kind of trend, which led to the process of modernity, at the same time, the literati radical gradually marginalized position also strengthen their spiritual sense, the fracture caused some extreme forms of art. To save lives with art writers of the vulgar, create an ultra beauty, and they often show that a traditional novel and change, it is the aesthetic modernity itself a tension between. The text also shows two kinds of pursuit of confrontation. The first quarter from the Angle of main body narrative writing the paradox of Wang Xiaobo shows the body narrative, savage, and expose the significance of the intervention of the essence of deception, copy offers the possibility of another kind of life, the social mainstream ideology occupy the circumstances, the meaning of transcendence. But he didn't accomplish abstemious, excessive body state that Wang Xiaobo's carnival intention to one side, the body narrative as the carrier has overload, beauty and tends to be a kind of aesthetic experience, the works of Wang Xiaobo also become ambiguous. This section is from the perspective of aesthetics of rhetoric body narrative art, originally named text for flesh repressed aesthetic replacement provide flesh carnival power and the esthetic path in the lively nature aesthetic, but he often rely on classic mild, sad mood convey a full aesthetic effect of Wang Xiaobo, although a rebellious attitude to refuse, but not of aesthetic modernity and reveal themselves to consciously traditional aesthetics of, Wang Xiaobo swinging in exactly one cannot cross obstacles. The second section mainly introduces the application of Wang Xiaobo absurdity rhetoric strategies, this kind of rhetoric strategies that its works a aesthetic sense of modernity, absurd feeling of leap can obtain a deep aesthetic feeling, and the stack and revelry words and the aesthetic effect occurred deviation, aesthetic pleasure confined in the text, this is his tension. The third quarter mainly introduces the dislocation of the words in the works of Wang Xiaobo , his works from some poetic tendency of text, this is Wang Xiaobo 's true feelings after heart precipitation, so that readers can reveal a kind of aesthetic experience and quiet, but as a character writer, its personalized language defamiliarization, due to the effect of a kind of language and the control condition, it will be subject to a language itself is on stream drip, in a world of novelty and change and broke traditional aesthetic style of the quiet, his rational thinking and cognition of the world for the shape of unknown to the rational thinking of empathising trespass, reflected the distinctive way of thinking, that spiritual fracture are also made him the words with tension. Whether the body's carnival, absurdity of rhetorical strategies used or crazy language of improvers for poetic language of trespass, these are in reality of Wang Xiaobo disassembled, for a radical way of aesthetic pursuit, this is a kind of aesthetic transcendence of life for life space, also makes Wang Xiaobo beyond the reality, and with this new words fly with changes of aesthetic modernity breakout really is a great progress. But in the game of life, and mocked at the logic that lives in the depth of the unknown to fall, it is the existence of Wang Xiaobo's paradox.Chapter 4: choose the maelstrom of aesthetic modernity. This chapter learns the theory of Wang Xiaoming , this paper tries to explore the writer's text, this creation mental powers of Wang Xiaobo creation from diachronic set out to explore the changing process of Wang Xiaobo aesthetic choose to peep to corner of Wang Xiaobo's spirit, the text of the soul wild mountain behind state. The first section of Wang Xiaobo is mainly to the early works"green monster ", "forever", in the 1970s boring literary pursuits created a fairytale world, show the bright clarity of aesthetic choice, and according to the psychoanalysts sven-goran eriksson's identity theory, his identity narrative discourse itself with a paradox, the words of narrative realized his ideology under the limit of identity. The second day is the golden age "in the golden age", for the time is mild, the narrative deviation of humane care and deep awareness of perceptual awareness of discourse aspect of historical reason and become happy before the soul of wang xiaobo complex strands. Many of the text is loosened pornography as elite intellectuals of his high-profile, but time and creation time published the dislocation also caused the formation of Wang Xiaobo and mass media, this kind of dislocation conspiracy also formed a paradox of Wang Xiaobo the creative consciousness and existence elite vulgar tendency of the state. For the third quarter is the story of the tang dynasty, the story of the historical epic story of imagination, and rewriting in late 1980s radical development process of modernity in photograph echo of new literary forms of exploration, traditional literature narrative is fragile, and then to the traditional style of Wang Xiaobo is very mild, selection of traditional Chinese literary creation of Wang Xiaobo as their narrative style tradition to the carrier, seemingly against a radical aesthetic trend, but expressed a more radical philosophical aesthetic pursuit, because its kernel is a kind of western philosophy and aesthetics of human nature, the thought of cruel kernel and narrative carrier to the paradox between the contradiction of Wang Xiaobo filled since.