Transition Trends Of The Easel Paintings During The Time Of Images

Nowadays,the society of China and the world walk into image times of high technology and informationization.The public are to be producers and consumers of images potentially and are used to communicate information and cultural art of images gradually,according to methods of technology and information in civil areas.Subsequently,the methods of image and the channels of visional consumption as well as the subjectivity of relationship melt away,vary and recombine with an unprecedented velocity.The essence of consumption behind the imagine times is the impetus that result with the reality of China contemporary culture is coming down slowly the situation of superficiality.This influence leads to people ignore the dialectical relation between the cultural inheritance and innovation.Spanned accommodation is a valid way of transmission and construct new something of ideography ideology and value.However,it causes difference between social construction and interpersonal relationship because of coarsely appropriated intention of consumption during the image of production.Artistic creation in above concerned is bound to be altered with the change of artistic mediums.These range from artist to easel painting.This dissertation is focus on discussing the trend of transformation in easel painting in above background.