Writing Draw Objects Outside The Situation, Poetry Chuan Draw Outside The Intended

Chinese traditional philosophy of experience focused on the nature of thought have shaped a unique Chinese aesthetic endowments. Will be a natural person, and will figure, and given personality images to the spirit and the mentality to take care of the natural world to achieve harmonious realm Taste. This seemingly abstruse philosophical system, in fact, contains the main object of China's unique relationship to understand and accommodate, Tatsu concept Wise Living. Impressionistic aesthetic spirit of this philosophy as a system of derivatives, the guidelines draw China's development. As a Chinese freehand draw the spirit of the carrying body ----- ink, with the changing times, the difficult before. In particular, to the modern times, with the fierce collision between Chinese and Western cultures, Chinese culture has been turned upside down ideological changes. Around the ink to start arguments and practice in the field of a breakthrough in the spirit of the traditional freehand by an enormous blow. Chinese freehand draw a continuation of the spirit can not be separated from the traditional pen and ink concept of inheritance and development. Pen and ink in Chinese painting, does not only refer to a kind of painting materials, it is not the same as in the West draw in black and white ash composition, nor is it easy draw grafting West arising from the effect of dry-erase pen and ink sketch style, ink is a kind of culture, carries unique to China the philosophy of aesthetic thought. Freehand the fundamental spirit of the "intended", shares the pulse in the "Writing." When the aesthetic subject and the images blend into the spirit, the two objects of my realm, the pen drive to make gas, frankly ink drop, which is "impressionistic." For the spirit of inquiry freehand, Tracing to its source, original artifacts from the remains to the Shang and Zhou bronze decoration in the performance of "Heaven, the universe," the concept of beginning, not simply copy the images that the expression means, impressionistic spirit flashed brilliance. Later in the unique soil of Chinese culture, the spirit of difficult freehand growth has gone through several stages between the transition period: from freehand the whole spirit of the most divine of the Wei, Jin, adequate gas to the Sui, Tang and Five Dynasties and the transition of wealth re-grace; from freehand spirit mature and the Song, Yuan, Ming and Qing Dynasties to the resourcefulness and busy re-transition; again the spirit of dying to freehand Cephas the East end of the Qing Dynasty to the 54 transition period, until the founding of new China, too much give impressionistic injected the spirit of the nation, people's livelihood and political demands. Century up to the eighties, the reform and opening-up brought about by cultural change, dramatic impact on the value orientation of Chinese painting, derived from the "new paintings" "experimental ink and wash painting" This folder biology. But fortunately, Chinese ink painting are still in the hardware, then the expansion of material at the moment, it is necessary to achieve China's development by leaps and bounds draw, calling the return of the spirit of impressionism seems particularly important.