The Acceptance Of Chinese Modernism School In 1930's To The Waste Land Shockwave

1930's Chinese poetry, has been known as a " the waste land shockwave " of Western modernism and the impact of literature, modernist poetry in the crowd This is a "wilderness shock" effect, in the poem the performance of its ideology and aesthetic taste are revealed "wilderness" of the shadow, which is "54" after the development of poetry appeared in the first and largest of the modern "shock."Bian Zhilin, He Qifang, Dai and other modernist poets in the late period by the representative of poetry symbolism - the impact of Eliot deep, and their style of poetry writing a series of changes which have taken place, showing a pursuit of knowledge, Cold style tendencies. But the impact of modernist poets in the 30's performance was more level in Poetry, which appeared in the literary culture of acceptance of the process of filtering mechanism.This article seeks to use the theory of comparative literature and accepted theories, analysis of the process to accept the selection of literature and the experience of cultural filtering, including the reality on the scope of context, traditional culture, cultural, psychological and other recipients. At the same time, modernist poets to explore literature through the acceptance of heterogeneity, in contrast, their own literary tradition, based on neither the mode of copying western literature, but also did not fully return to a purely traditional Chinese poetry, but to create a new quality of China's modern poetry. This new quality of modern Chinese poetry in Western literature is the literature of collision with the Chinese traditional product, but also the creation of modern writers the only way.