The Aesthetic Studies About Mass Culture In Consumer Era

French scholar Jean Baudriard in the history of Marxism in the three stages before commercialization stage, stage and commercialization phase of goods on the basis of the fourth stage, which is consumption phase. In the consumer society, not just the number of commodities extreme expansion issue, but too many goods, changes from guest to host to create people's needs, people's consumption behavior is not just an economic act, but to a way of life and culture for acts . Since the 1990s, with the socialist market economic system gradually established, China's social life in a comprehensive and profound changes, this change is reflected not only in the socio-economic sphere, the political sphere, but also affected the social and cultural fields, market, the characteristics of the business has become increasingly evident. With the profound changes in social life, China's cultural fields need to understand changes in the content and trends, and make use of to seek greater development. mass culture in the evolution of China's acceptance of the case, the mass culture from China in the Context of the creative practice and theoretical criticism alive with a considerable mottled characteristics and very complicated reasons, and China as well as China's modern aesthetic concept transition contemporary aesthetic and cultural awareness in the characterization of a lot more fit and promote China's cultural literature on the theory of mass culture era of consumer acceptance, integration, dressing and evolution. mass culture as a new theory, China's realization of its theoretical explanation, research criticism, and creative practice of multi-structure, the acceptance of a multi-level model has been a great practical significance. This paper is trying to use four times the public part of the consumer culture in China acceptance process, evolution, criticized the practice, to reason, to construct, the major outcome of multi-level question of combing and Analysis, and consumption characteristics of the era of mass culture and formation of a focused analysis, and discusses the consumer era of mass culture aesthetic advantages of the theory and research in China by the meaning and critical understanding. The first paper outlines some of the major consumer era of mass culture in China to accept the whole process of the new century, focuses on the new developments in mass culture and new features. Part two and Part three , this paper is the main focus of mass culture and the formation of the characteristics of reasons - since the 1990s on an awe-inspiring mass culture creative practice, and the consumer era of the spirit of mass culture track seeking to point to further proof of mass culture in China acceptance, penetration, and integration, summarized consumption era of mass culture has been able to this deep-seated reasons for the trend. Part four will focus on the consumer era of mass culture immediate significance of the theory of the excavation, dialectical thinking of the current academic culture of some public understanding and evaluation of the field of Chinese literature and art in what posture to accept re-use of mass culture to reflect on.