Discussing About The Peculiarity Of Zhang Jigang's Creative Conception In The Dance (Dance Drama)

This thesis discusses the peculiarity of Zhang Jigang's creative conception in the dance(dance drama) and the discussion is mainly in the two aspects of his distinct thinking activity and the unique psychological activity,which means that the analyses of the peculiarity of Zhang Jigang's creative conception in the dance(dance drama) is based on the psychological level in this thesis.Developed from the two aspects of the distinct thinking and psychological activity,it would be better revealed of Zhang Jigang's specificity which greatly differs from the others in the gengeral rule of dance(dance drama) creation.The first part of this thesis is a gradual transition from the general characteristics to Zhang Jigang's specificity in dance(dance drama) creation.The characteristic of dance thinking is to develop conception and imagination and to reveal the essential content of life through the dance finesse.Therefore,in the second part, the discussion about the specificity of Zhang Jigang's dance(dance drama) thinking is mainly concentrated on "limitation and repetition" of the dance finesse,and the essential characteristics of his dance thinking could be revealed by two mainly dance finesses which are in common use in his dance(dance drama) creation and ascending to the personal theoretical summary.Perceptual experience is a kind of conscious and emotion experience obtained by the subject in concrete objective things,while perceptual rule is a sort of habits of regular thinking,behavior,emotion and so on,which is formed by the crowd in the same cultural background after a perennial accumulation of perceptual experience.However,at the same time of obeying the perceptual rule,it will bring some ossified and unchangeable habits in perceptual experience.Lots of dance creators pay little thinking about that and take it as normal,while Zhang Jigang is sober and sensible enough to see the deficiency. Not only doesn't he consider it as a final arrangement of art creation,but definitely and consciously demonstrates his distinctive aesthetic pursuit and different approach to art, that is the critical exceeding and the returning to the perceptual experience.Such a dialectic thinking way endows the two elements of selecting and refining in his dance creation with unique characteristics,which would be mainly interpreted in the third part.