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"The Tale Of Genji, Vol Painting" Study Of The Chinese Elements

Posted on:2010-12-26Degree:MasterType:Thesis
Country:ChinaCandidate:P ZhouFull Text:PDF
GTID:2155360278468491Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Ancient Japanese culture was influence by China. Take in the Japanese art history, enjoys the lofty status "Source Language To draw Volume" as the example, through to its analysis and the research, the Japanese artist to the Chinese drawing technique, the creation idea to the Chinese element absorption, finally we from the esthetic philosophy, has in the past discovered the China and Japan esthetic common ground, discovered how the Japanese esthetic philosophy is ancient times in the philosophy did absorb the nutrient and the evolution from China produces. Also excavates in the contrast research process hides "Draws Volume in Source Language" the Chinese and Japanese notebook nationality characteristic drawing characteristic. After escapes Asia to enter the modern age which Europe the Japanese drawing moves towards, simultaneously Contemporary China's painter has also absorbed the beneficial ingredient from the Japanese drawing, specially in heavy color painting and crag color aspect. Obviously the different cultural communication, the fusion, studies is mutually the artistic maintenance life ever green source.This article divides into three major parts:The first part, take the time as the clue, the narration ancient times Japan in cultural domains and so on the drawing, writing, religion, building through the achievement which obtained to the ancient times China culture study, and take this as this topic research background.The second part, "Draws Volume take Source Language" as a core, key from drawing technique, creation idea, esthetic consciousness obtaining, analyzed has drawn the influence which in the volume the Chinese element produced, as well as Japanese artist's in these technique innovation element.The third part, the article conclusion, summarizes the full text, proposed " Harmony within Diversities "; the viewpoint, at maintains oneself nationality characteristic in the foundation, "mean and harmony"; each national art characteristic, impels the traditional Chinese painting unceasingly the development.This article has mainly utilized the following research technique: (1) literature methodology. Consults concerns the Japanese art correlation data massively, as well as the Chinese and Japanese art exchange history, literature materials and so on Chinese tradition esthetics philosophy, clear off the Japanese drawing and the Chinese drawing historical origin, as well as contemporary Japan drawing prosperity development reason.(2) contrast methodology, through massively collects "Source Language Draws Volume" the picture material and the writing material, and using the developed Internet technology, widely glances over the research website now which China and Japan are connected, understood the newest research results, through the contrast ancient times the Chinese drawing artistic representative works, discovered again draw in the volume the Chinese element influence, thus proof this article major point.(3) multi-disciplinary domain crosswise synthetic study method. This article has involved the philosophy, esthetics, the sociology, the psychology, the picture study and so on many disciplines, has profited from the related research results and the research technique.
Keywords/Search Tags:Japanese paintings(Techniques, Philosophy), Chinese elements, Harmony within Diversities, Sorrow for objects, Ugan (mysterious profundity)
PDF Full Text Request
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