The Sorrow For Objects In A Person's Good Weather And Cause Of Formation

In 2007,Nanae Aoyama benefited from A Person's Good Weather to crown the Akutagawa Prize that symbolized the peak of the Japanese literary world.By then,it was only 23 years old.At the same year,the Shanghai Translation Publishing House introduced the novel and translated it into a Chinese vision by the famous translator Mr.Zhu Jiarong.A Person's Good Weather has aroused widespread resonance in China.However,there are relatively few researches on Japanese contemporary cutting-edge writers,such as Nanae Aoyama.Among them,there are few research results on the literary concept of Nanae Aoyama's,namely,sorrow for objects.This article combines Mr.Ye Weiqu's understanding of the three levels of thoughts of sorrow for objects,and textual analysis to analyze Nanae Aoyama's A Person's Good Weather as the object of study.The first chapter analyzes the loneliness of the protagonist in dealing with others.The second chapter is about the level of touching the world.The author finds out his sense of emptiness in the human world.The third chapter mainly describes the movement of natural objects and shows the sense of change caused by seasonal changes.This article analyzes the sorrow for objects in A Person's Good Weather,reveals the unique charm of Nanae Aoyama's literary works,and draws the following conclusions.First,there is a feeling of sorrow for objects everywhere in the works whether it is from others,society or nature.Secondly,the reason for the formation of the object in this work is not only influenced by the experience of the Nanae Aoyama,but also closely related to the great increase of the freeter of the modern society and the changes of family relations.The above conclusions can provide some reference for the study of Nanae Aoyama in the future.