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On The Performance Of The Optical Sense Factors In Chinese Painting

Posted on:2010-02-01Degree:MasterType:Thesis
Country:ChinaCandidate:L ZhangFull Text:PDF
GTID:2155360278961743Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
The pursuit of traditional Chinese paintings by the picture effect of traditional Chinese Confucian, Taoist culture, a rare occurrence in the performance of large-area objective object itself under irradiation of light emerging sense of the effect of light work. Overall, the performance of light perception in the development of Chinese painting has always been at the course are not given due status, the majority of Chinese performance artists to avoid the areas of light perception, and even some artists that are too light perception in the pursuit of the performance of Chinese Painting the pursuit of the screen is too much emphasis on the visual impact, is contrary to traditional Chinese paintings of the basic creative thinking. The general theory of Chinese painting industry, and truly the "light perception in the performance of Chinese painting in the" system of the subject to make a study of the theorists have not seen, and some only in this area is committed to the performance of the artist painting on their own experience discussed. This article first analyzes the performance of Chinese painting in the light perception of the reasons for not be taken seriously, that was mainly due to moderation in Chinese culture, ideology and theory about the performance of the mood of the Chinese people to form a unique aesthetic attitude determined. Analysis of articles on China's sense of artists for the performance of optical techniques and theories. Explore the feasibility of the performance of light perception. Pointed out that the sense of contemporary Chinese painting light causes changes in the performance of the field. Certainly agrees with the Chinese performance artist in the field of optical sense of achievement. The performance of the field of Chinese painting in the development of the theory of traditional Chinese painting, based on the experience of Western painting is to promote the role played. Chinese painting a sense of the need for further performance of optical-depth study of traditional painting theory, absorption of the useful experience of the West. To expand the performance space in Chinese painting. Integration of the exchange of Chinese and Western cultures has changed the forms of Chinese painting, light perception factors in the performance of Chinese painting in the great room for development.
Keywords/Search Tags:Light perception, Western integration, Tradition and modernity, Theory and techniques
PDF Full Text Request
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