The Inspiration Of Stanislavski's

Stanislavsky's Theory of the Theater is always playing a crucial role in the playing of drama and opera. The essence of the theory brings a lot of energy to vocality, and also offers many unexpected research methods to solve some practical problems in vocality.The paper adopts memory of sense and fancy in the training of vocality techniques, and puts forward some views as follows:memory of sense is very helpful in understanding singing in a better way; fancy can help the performer to abandon false ways and bad habits in singing and playing; coping with the relationship between first ego and second ego well can shape a figure perfectly; sense of reality and faith can help the performer feel and think as the person in the play does; imagined practice can boost the accuracy of performing, sense of propriety, space imagination, attention and ability of organizing movements.The second chapter analyzes the use of Stanislavsky System in interpreting vocal works and brings forward ideas as follows:applying comprehension to watch and analyze musical works will promote the understanding of works; employing imagination in controlling the feeling and vision will inspire the enthusiasm of the singer; digging up multiple expressive force in vocal works is the best way for performers to shape figures and it also gives musical works a new life. Stanislavsky advances six steps in creation of stage figures. With the help of these steps, vocal works can be interpreted well. Sense of reality and attention prompts the performer to acquire constant enthusiasm in music and singing.The third chapter elaborates on the use of Stanislavsky System in vocal performance, the role of Stanislavsky System in the training of stage manner, and some ways to complete enthusiastic vocal performance. Furthermore, the author considers that: body movement, instinct and inspiration can help the performer understand the principles of music in a better way, offer a new life to the performance, get a new pattern of thought for the performer.