The Cultural Interpretation Of "Flesh" Image In Mo Yan's Novel

The inheritance and reference,literature and the ugly, the gender of narrative fiction; "folk" and folk standpoint, carnival features are relatively taking large proportion in the Mo Yan's literature research field. And his various research on depth, breadth, methods and numbers are making a great progress. In contrast, the research on novel image and in-depth discussion appears less proportion in his novel. The novel image is also limited to "children", "Animals", "ghosts", "temple", "cannibalism" and so forth. Therefore, this paper has embodied some academic value on the refining of "flesh" Image and implied cultural implication of "flesh" by the imagery analysis and exploration.This paper focus on the culture image interpretation of "flesh" as a breakthrough point, that is, from a cultural perspective with Mo Yan's novel, to interpretate the "meat" image from a cultural perspective in Mo Yan's novel. On the basis of imagenism and novel narrative study, it positions perspective in this article using of"Images" and "culture". Refining of "flesh" imagery and analysis,the author will discuss the status of"flesh"in the Mo Yan's novel. This paper also analyse the four dimensions in Mo Yan's novel as follows:the gorgeous feast of "The Food","No meat and no attraction" is called "color";the expression of body and the desire,theunityoppositionof"grass"and "flesh-eating";"Body and Soul" in the philosophy of meditation are summed up "The Food", "color" two entry points, focusing on analysis of Mo Yan's abundant"flesh" image and contradictions of non-meat as well as the grass family unification, "dining" and "color" of the collision and tangling so as to explain the cultural significance imagery of "flesh"in Mo Yan's novel.This paper also analyse three aspects of cultural roots of"flesh"as the following: from the cultural psychology exploration, the impact fusion of folk and geographical;the impact of hunger and loneliness of individual life memory. Among them, it analyse both side from"dining"to"color"to indicate the"flesh"cultural accumulation, discuss the"flesh"position in the Chinese traditional culture;from confrontation with the temple of the "civil" in the context, especially the impact of Qilu blenind folk and geographical to seek the traditinal root of"flesh"; from the author Mo Yan's hunger, the loneliness of personal feelings and memories of life in his childhood to start analysis the reason of why he writes the "flesh" in his novel.What can be said in Mo Yan's novel, the "flesh" image is a cultural image, continuation of the essence of traditional food and culture; is the cultural memory symbols of development in productive forces change;is the refraction of fresh color and cultural from the past to the present, is the cultural expression of complex life in the author experience. Therefore, it is necessary to further analyse the clear"flesh"image areas in the literature image and discuss the literature beauty value of"flesh",and on the contemporary this paper is also thinking about the signing viewpoint of sense and "flesh" of the secular spirit.Furthermore, the "flesh" images from a cultural perspective in-depth study of Mo Yan's novel is attributed to reveal the abundence and significance by using deep structure from the content and thought in Mo Yan's novel,and also helpful to interpretate the unique meaning of writer's text reading fiction, beneficial to the overall study on the image in the Mo Yan's novel and to make comparative analysis between the authors and their masterpieces, and also beneficial to explore out of Meaning and aesthetic value on sociology, folklore and cultural dimensions from the cultural viewpoint in this paper.