The Pome-like Mood In The Chinese Oil Painting--Opinions On The Image Oil Painting

There are five thousand years of splendid Chinese civilization, the oldest in the world, when the twentieth century painting came to China, the West will, without exception, the form of painting and Chinese culture have had a collision, intersection, integration. After being absorbed by the transformation process, in a collision with conflict in the Central and Western China's first generation of oil painters will be put forward this proposition image canvas. Kinds of oil paintings of the West draw with China's traditional culture collision happened, and produce image canvas, is not accidental. This is five thousand years of splendid Chinese culture is closely related. Chuanjiang Chinese culture is a lake-like culture, is a misty rain misty, Subtle elegant poetic culture, which makes Chinese calligraphy, painting, has emerged with a geographical and climate cultural identity. In contrast, lakes Chuanjiang poetry culture has also become a calligraphy and painting of these typical Chinese art genre, and the art of calligraphy and painting language also carries unique to southern culture, represented by Chinese culture. From this point of view, if the painting should not embodied in the language of this poem on the characteristics of culture, then fundamentally, we can not say that oil has the characteristics of Chinese culture.Images of oil paintings of the proposition put forward, with a strong Chinese characteristics, it is worth our attention and go exploring in depth. The first generation of Chinese oil painting had already begun to explore the pioneers of Chinese painting imagery innovation. Although there is no clear concept, but their works, since they can clearly see the development of Chinese national oil painting art pace. Oil painters of that period except for the study of Western classical oil paintings, but also accepted the West's advanced idea of modern art have emerged a number of walking time at the forefront of artistic vanguard, Lin, Guan-Liang,WuDayuhome such as painting is to sensitive and unique artistic vision, will be painting in the Chinese national elements (lines, shape, color, space, etc.) skillfully into their works, showing a unique image of the Oriental artists feelings.But different image freehand, the performance of the level of artistic styles, it does not belong to what kind of painting methods patents, which in fact embodies a kind of "poetry", a "mood", so as to achieve image realm, regardless of their form of artistic expression are realistic or abstract imagery are likely to be pursuing. Since the beginning of the twentieth century, the Chinese oil painters begin the transformation of the oil exploration localization. From then on, people at the application of Chinese oil paintings draw the performance of language, such as line drawing, pen, such as three-point perspective approach, people have to use Western techniques to the performance of Chinese culture has the connotation of the subject matter and content. Regardless of their success or failure of these attempts, all of the localization process of painting must have made the contribution at that time because of Chinese oil painter who has been trying to put in the image of Chinese classical aesthetics idea of the trend applies to oil paintings.As with any kind of art or art schools that will be generated at the same time as Elite and Dross, image canvas also good funeral arrhythmia, the phenomenon of cohabitation. does not mean that any of this genre of art that has no value, and identifies claims that its own artistic shortcomings and may result in misleading. So for the future development of oil painting image, we must correct their attitude, and sort out ideas. Image of painting and Western oil painting The biggest difference between the local community is to maximize the image canvas contains infiltration and temperament of the Chinese nation's humanistic psychology and culture. Thus, despite the image of the border is very broad canvas, but its core is very clear, it is the culture of China and Chinese cultural characteristics, that is what works now and highlights the permeability of the Chinese cultural values, personality style and taste realm .Also need to note is that the image of Chinese oil painting is not a draw, it is the spirit of Chinese culture, ethnic and geographical characteristics of aesthetic psychology art for heterogeneous core "I" and "conversion." In this sense, the localization of oil painting image oil painting is not limited to a road, which, as "image" should not completely cover all of the cultural characteristics of Chinese, like, and, in the contemporary context of globalization, any kind of culture and blood models are faced with the challenges and time updates, faced with new science and technology under the cultural conflict and integration. But no matter how, image canvas of this history begin to re-examine the cognitive and localization path of oil will go more robust and in depth, will receive more recognition and appreciation of culture.In short, I think embodies the image of oil painting strong Chinese characteristics, this form of oil painting art painting at China's development provides a broad outlook, image canvas will be at the vast land of China to take root under the rain nourished, full of boundless vitality.