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The Emotional Factors Of Line

Posted on:2014-02-10Degree:MasterType:Thesis
Country:ChinaCandidate:L H MaFull Text:PDF
GTID:2245330398957859Subject:Art
Abstract/Summary:PDF Full Text Request
Oil painting is painting the west to take root in China, the time is not long, inthe integration of Chinese and Western culture background, painters, persistentcurrent more and more into the nationalization of the oil painting of the team. In thefield of Chinese contemporary art, appear lively situation of contention of a hundredschools of thought of art. Formed his unique artistic style, become the source ofartistic creation of artists to join the. We use the current camera technology and rapiddevelopment, so that the painting received a serious blow, so how to make art worksin the image more vivid, more can move the art appreciation, has become more andmore important, and for line art factors of Oriental art the essence of research, hasbeen imminent.In the process of the development of oil painting, the lines are no longer just tooutline describing things, but further development into the invisible line and the line,the line in the oil painting performance can be divided into two categories: one is theline things reproduction performance; two is a line own sporadic expression. At thesame time it also development lines as the art factors important in oil painting,provides more possibilities. The line is not only the artistic creation of a modeling tooland the manifestation, is also a kind of way of artistic creation and the method ofexploration. Through the study of Chinese contemporary oil painters works of art, andthey made in the nationalization of oil painting on the road, to analyze the emotionalexpression of line in Chinese contemporary oil painting creation, as well as theextension of linear thinking and linear structure, thus a more comprehensive study ofline in Chinese contemporary oil painting in the state, and to guide their own artpractice.From the structure of this paper, mainly divided into three parts. The first partbriefly introduces the significance and the esthetic characteristic lines, lines in the artof all the factors, is the most direct artist when facing the canvas of passion, is also themost direct response artist heart of true feeling, which will further describe the linesand artist. The aesthetic characteristics of the next simple exposition of lines, from the West for the lines of understanding to better analysis: Chinese artists use a line, payattention to is the expression of a mood; while the western artists use a line, in orderto better the performance of a formal means, or that is emphasized is the combinationof the factors art. The second part is mainly about the lines in Chinese contemporaryoil painting shows, through the analysis of Chinese contemporary oil painting figurepainting and contemporary Chinese landscape oil painting in two parts, to analyze thelines a state in Chinese oil painting nationality on the road. The third part is aboutunderstanding of the lines of his art practice, mainly through the two parts: one is touse in writing methods; two is to explore in practice. In the process, fully realized thatonly single line in the picture, or the line as an absolute factors, has been unable toreflect the aesthetic features of oil painting form, that means and their therefore, in theresearch field, continue to apply linear structure of linear thinking and frame structure,the, references to their works.The author would like from the subjective emotion of lines in Chinesecontemporary oil painting in the state as the basis, to study Chinese contemporaryartists in the painting on the road of art and the pursuit of exploration, or through theuse of lines to analyze the artist works in China, a better analysis of the creation ofcontemporary artists motivation and subjective feelings.
Keywords/Search Tags:The nationalization of oil painting, lines, The subjective emotion
PDF Full Text Request
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