Concerning The Intersection Of Films In Main Rear Area And Drama

The intersection of Films in Main Rear Area and Drama is the striking cultural phenomenon in the period of Main Rear Area, which mainly shows that filmmakers enter into the field of Drama, work for creative performances in Drama and become the backbone of Drama in Main Area sports. This is the important content of the Films in Main Rear Area culture. As the most complex phenomenon in the film history of China, we can find that, by studying the existing research results, "as the mainsream war film in Main Rear Area, in the historic narrate there is no connection between it and culture phenomena in Main Rear Area, other patterns at that time." The situation described has not been fundamentally changed in the current history. This study will try to restore the true face of the Film in Main Rear Area by researching the first literature information of the Main Rear Area in the war period, to inspect and evaluate the Film in Main Rear Area by bringing it into dynamic contact with related cultural activities, to re-equilibrium the value of the cultural phenomenon about the intersection of the Films in Main Rear Area and Drama.With regard to an analysis on deep intersection, this culture phenomenon, between Films in Main Rear Area and Drama, this paragraph is made up of four chapters.The first chapter is the "Introduction" including historical facts that exists about the intersection between Films in Main Rear Area and Drama, the conclusion and introduction on current situation of this study, the definition in order to clarify the way and method of this study and put forward the value of this study.The second chapter is on the "cooperation juxtaposition". Through mastering the society history and culture integrally, the author puts the intersection between Films in Main Rear Area and Drama into the framework of the society culture and film development to investigate the kinetic factor effecting on this intersection. And the author concludes that the intersection between Films in Main Rear Area and Drama attributes to not only the influence of the relationship to the two artistic forms, but also the coaction between the war and political factor. The third chapter is "specific time and space phenomenon". The author comprehensively combs and lists the Films in Main Rear Area Cineaste's activities in the field of the Drama, points out their contribution to the development of the Drama, and restores the true face of the history.The fourth chapter is "deep combination". It is about the analysis on Cineaste's practical activities during the period of the drama tour, including their experience, information and participation in drama creation and performance. Besides, it is the influence of these practical activities to Cineaste and how the influence acts on the film and embodies in the film.The last part is the "conclusion". It is concerning the conclusion on the intersection between Films in Main Rear Area and Drama, and offers opinions on the future development direction of Chinese film.The research of the intersection of Films in Main Rear Area and Drama shows a positive impact in three areas:the first one, with the Sino-Japanese War the situation requires, played a promotion, motivational tools. The second,shadow people into the field of drama, so drama arts have seen significant progress and the development of large increase, resulting in the nostalgia of the drama so far is the golden age. The last, the activities of drama could get a comprehensive upgrade to the film in the thirties of last century, which has been the initial development of realistic art of thinking more deeply, more mature artistry.The relationships of Films in Main Rear Area and Drama can be added above the existing shortage of history, and the interaction of contemporary film and theater for the future development of Chinese film to provide some useful inspiration.