Attempting To Examine Several Macro Issues Of Century Aesthetic Development In China

The development China's aesthetics over the past century, has made rich achievements, but in the same time, has also left us many problems. This series of problems in the development process of Chinese aesthetics, are often unavoidable. In particular the development of Chinese aesthetics of today, these problems become increasingly severe. To some extent they have been severely hampered the development of Chinese aesthetics, and even makes the development of Chinese aesthetics show slowly progressing, increasingly depressed situation. As a result, I believe that the current academics need to reflect on these issues deeply. So this paper is carried out on this basis.The paper has given a tentative talk about several macro-issues of a trial exist in the development of Chinese's aesthetics of today, basing on the fact of the development of China's century aesthetics. First, this paper presents the Chinese's aesthetics and China's "aesthetics" are two different concepts, while the two different concepts were more clearly determined. China's "aesthetics" is the phenomenon of aesthetic or aesthetic event in the development of the aesthetic. It is a pseudo-aesthetic, aesthetic variations, "alienated" aesthetics. Since then, there is a tentative talk about several macroeconomic issues of a trial of the development of Chinese aesthetics of today in the paper, founding on the reflection and refute the aesthetic phenomenon or the aesthetic event.Chapter I, the author has given a tentative talk about the problems existing in the researching methods of Chinese aesthetics:in the aspects of the researching attitudes and researching atmosphere, the academic paper has said the fact:in the development of Chinese aesthetics of today there are several issues or phenomena such as the diffusing of the Impetuous atmosphere, the self-losing of the Subject, the absence of the dialogues and exchanges. Meanwhile, the author has given the reflection and criticism to these issues, or phenomena. In the aspect of the translation and misunderstanding, the article has given the interpretation of two arguments about "misunderstanding" and "misunderstood misunderstanding", and has presented two propositions about "Poetry can be misread "and" Poetry can not be misread". At the same time, the author has given these two propositions relevant example.Chapterâ…¡, the author has given a tentative talk about the problems existing in the macro-aesthetic content of Chinese aesthetics. Seeing aesthetic history as a Viewpoint, the author has given a searching talk about two problems about "what is it" and "what is including" in Chinese aesthetics. First, the paper has viewed that Chinese aesthetics has acquired the content of two thousand years of development of Western aesthetics through a century of development. The paper has used an inexact statement:the content of two thousand years of development of Western aesthetics has almost "Synchronicity spread" in the history of China's century of time. Secondly, the author has given historical stages to the content of China's macro-century aesthetic. Among them, the author has analysis the problem of "modernity'. Next, the author has more clearly defined the overall concept about "Aesthetics in Ancient China", and has further argues that the ancient times of China hasn't had the modern sense of aesthetics as in the West. At the same time, the paper has given the interpretation of three concepts about "Aesthetics in Modern China", "Chinese Modern Aesthetics", "Chinese Contemporary aesthetics", and has given a conclusion that Chinese Aesthetics should has the standard of the historical era in the division, on this basis more rigorously and scientifically analysis. As a result, based on the standard of the historical era in the division, the paper has revealed the history of Chinese aesthetics in different stages presented different overview.Chapterâ…¢, after giving some tentative talks about the problems existing in the researching methods and the macro-aesthetic content of Chinese aesthetics, the author has discussed the current prospects of the development of Chinese aesthetics. the author has given a tentative talk about the problems existing in the current aesthetic. She has pointed out the development of the Chinese current aesthetic has show slowly progressing, increasingly depressed situation. The scholars who has researched aesthetics, also has gradually and roughly formed three factions. In short, these three factions are these ones:the school who studies the hot spot of aesthetic, the school who studies aesthetic theory, the school who studies ancient aesthetic conversing. Of course, this division is not clear, absolute, but rather a general trend of the division. Next, the paper has viewed that Chinese aesthetics wants get rid of its current situation, (slowly progressing, increasingly depressed), under the premise of establishing its the principal position of own aesthetics, Chinese aesthetics should give the academic requirements that the academic should expand broad-based dialogue and exchanges, aesthetic theory and aesthetic practice and should be more closely integrated, and aesthetic research should get out of the "School of esthetics" to the aesthetic practice. Meanwhile, the author has also revealed, Chinese aesthetics urgently address a series of problems such as the subject property location of the aesthetics and the determination of the contents of aesthetics in the development of China's current aesthetic. The priority is that the academic scholars should make clear distinction and determination to aesthetic and literary, art and aesthetics and Aesthetics.