| Silver Jewelry is an ancient plastic arts, and it has been loved by the people from its birth to date due to its shiny lustre, white color and a symbol of purity and perfection of the gracious sentiment. Throughout the galleryriver of human history, it has been playing the role of beautifying and dressing mankind itself, and it has been attracting fashion lovers by its special beauty and charm. Its economic value goes hand in hand with economic value, and it has the dual nature of both economic and aesthetic value. This feature of silver jewelry has a typical representativeness compared to other works of art. The economic value is not all of the value, it is the rich and diverse aesthetic value of the symbiosis that gives it a timeless value.This paper, on one hand, based on silver jewelry, analysized its economic and aesthetic value from the perspective of objectivity and subjectivity, measurable and non-measurable, utilitarian approach, finite and infinite, demonstrated the theoretical propositions of the non-reciprocal nature of its economic and aesthetic value, thus revealed the underlying causes of price formation of artwork, and gave a theoretical analysis and interpretation of the "price", "value" issues in the art market.The economic value and aesthetic value is a pair of core values of the artwork, and it's of profound practical significance for the artists, investors, operators in the art market to identify the relationship between the two values. On the other hand, through the study of the style, characteristics and cultural connotation of traditional folk silver jewelry, this paper wanted to reveal the aesthetic value carried by silver jewelry, and the profound cultural values of philosophy, archeology, history, ethnology, sociology, and cultural anthropology and other multi-disciplinary contained by silver jewelry culture, thus arouse people's concern about the culture and the protection of silver jewelry, and to supplement the establishment of a systematic study of the silver jewelry arts. |