The Evolution Of Wang Shuo's Novels Hero Image

Wang Shuo has been the most controversial writers in recent 30 years. People like him exalted him highly, that he is representative of post-modernism, anti-traditional athlete, counter-cultural hero. People don't like him say he is a "rogue writers", his works are "riffraff literature." The first mostly from the former voice of civil society, and our mainstream literature, the critics prefer the latter. In addition to academic intellectuals in the "great debate on human spirit," Lieutenant-General Wang Shuo as the target, severely attacked after a while, were all choose to remain silent. People think that Wang Shuo is "rogue writer," "riffraff literature" of course wrong, but stubbornly high moral support for him, I think it is also undesirable. Wang Shuo and his works lacks fair and objective evaluation so far. This article attempts to link the hero's image of Wang Shuo's novels and his own, Let's insight the situation at different times of Wang Shuo by means of the evolution of the hero image, you will find that Wang Shuo is not as others perceived as chic, so arrogant, because his novels always emitting a faint hint of bitterness. Perhaps the bitter of Wang Shuo is closer to Wang Shuo's own ethos.The article is divided into seven parts.The introduction try to introduces the status quo that Wang Shuo and his works in recent years was studied, and on this basis,I try to clarify the intention of this research, methods and significance.The first chapter mainly Wang Shuo's early romance series "Stewardess" "half flame, half sea water," "rubber people" as the research object, the hero of these works are eager surfaced careerists, reflecting the year of Wang Shuo political ideals and after political disillusionment desire to pursue money. This is the externalization of the life of Wang Shuo's anxiety.Chapter II of "Wanzhu" series as the research object, "Wan Zhu" series created "Wanzhu group portrait," they don't survive the danger, but also don't want nothing, only comments the community. Reflected that Wang Shuo gets a decent life by writing, and he attempt to fight for his right to speak, this time he was eager to speak, eager to let people hear his voice.Chapter III of "fierce animals," as the object of study, "animal ferocity," where there is a ferocious youth, truancy, smoking, group fights, jealousy, doing everything. At this time Wang Shuo's thinking was more mature and found ridicule to be denied something of value, he tried to show something of value-remember that part of young and frivolous times.The fourth chapter of "Little Red Flowers" as the research object, the hero is a lonely insecurity of the children, whether at home or kindergarten, he always felt he was being isolated. Wang Shuo found himself without a sense of security after middle age, he traced the source of childhood.Chapter V of "talking with our daughter" as the object of study, emergence an old man.The elderly, talking endlessly to narrate. Reflected Wang Shuo who lacks spiritual home attempting to save himself by speech. To the "My Chitose cold," where the spirit of the wanderer was finally converted to BuddhismConclusion part further elaborate Wang Shuo's bitterness. Wang Shuo's bitterness manifested in at least three aspects:First, to survive into account. Second, it is not a compromise with the reality. The third is the spirit of nowhere to convert. Wang Shuo has used his pen to write himself, his strange life experience and spirit of the thought-provoking journey.