The Flow Of Meaning:from The National,the Local And To The Ethnic

The contemporary folk painting of Sanjiang Dong Autonomous County In Guangxi is a creation of the main farmers, drawing Dong Minority embroidery, paper cutting, clothing and other traditional folk art technique of expression, borrowing some of the professional art techniques to create compositions with bold, exaggerated shapes, colors bright, etc. the characteristics of a folk painting art form. It is drawn during the Cultural Revolution began in the picture posters, has gone through the picture poster, peasant painting and landscape painting, the three stages of development. the picture posters, peasant painting and landscape painting,unity in the category of contemporary folk painting. Selecting The contemporary folk painting of Sanjiang Dong Autonomous County In Guangxi as object of study, putting it on a greater social and political economic field, and giving an acute analysis of the relationships between the local culture ecological background,geographical conditions,and the aesthetic cognition,we can reveal how and why the different periods, different socials and cultural scene give the different meanings to the folk painting. by thick description of contemporary folk painting of the Sanjiang Dong Autonomous County In Guangxi, provide a reading of the local life.The contemporary folk painting of Sanjiang Dong Autonomous County In Guangxi was born during political and cultural background of the Specific period. As an art form loved by the masses, the picture posters in the 1973—1978 rated into a mass movement track, used to express the the national discourse, to reach an aim of services to literature and art for the workers. After Reform and opening up, because people's aesthetic tends to diversification and the market economy values also permeate the field of folk painting,so the peasant painting of Sanjiang Dong Autonomous County In Guangxi combinated the macro-nation's discourse and micro-daily life of local, based on the strong regional characteristics of ethnic minorities, to curry favor with all kinds of painting and drawing markets. The middle and late 1990s,the social change and cultural transformation, peasant painting of Sanjiang Dong Autonomous County In Guangxi gradually decline. however, the social change and cultural transformation bringing si good at develption of the folk art,people in the transvaluation of the traditional local community resources,recognize the importance of the folk art, Especially in promoting the protection of the intangible cultural heritage present,The Dong landscape painting is by reinvented and become the important representative symbol of the Dong culture. The contemporary folk painting of Sanjiang Dong Autonomous County In Guangxi after the rise and fall, because of the changing context with times, the change in meaning went through then from the national,the local and to the ethnic.The contemporary folk painting of Sanjiang Dong Autonomous County In Guangxi is no longer just a local cultural symbols, it's meaning and representation beyond the local area and incorporated into a broader cultural system.