Opera "sister Jiang" And "party's Daughter,"comparison Of Musical Style

So far, the Chinese opera has gone through almost eight years away. From the seed of the twentieth century to the mid-twenties and thirties prosperity, the silence from the Cultural Revolution to the revival of eighties and nineties, the Chinese opera abnormal hard road to go, the majority of opera workers in their own sweat and labor to the development of Chinese opera, made an indelible contribution.As the opera is introduced to China from the West , so the early Chinese opera, in the in the end is left intact to maintain the style of Western opera, or take the traditional Chinese artistic style on the road with considerable differences. Fifty years of the twentieth century discussion meeting on the new opera, Chinese opera should not be limited to look only on the local opera, should understand China's traditional culture and music outside the Western music the importance of cultural integration, to the Chinese opera full development. The liberation of thought makes a lot of good work in large numbers, the formation history of the development of Chinese opera, a climax, is representative of this article will be to the opera "Sister Jiang" (Yan Su writer, Yang Ming, Jinsha, Jiang Chunyang composer), is based on novel "Red Rock", adapted from the opera is a succession of new "White" and based on the experience of art to enrich the development of opera music. After ten years of chaos, whether the motherland, or the lives of the community have caused an extremely bad influence, but also to the Chinese culture, including opera, the development of catastrophic damage. Eighties and nineties the twentieth century, driving the wave of reform and opening up, China's opera career has been improvement. Chinese operas of this period, great emphasis on work in the subject matter, style, genre, form of diversity and individual performance, such as Lu Xun's novel was adapted from the opera "Mourning" (Wang Quan and other writers, Shi Guangnan composer) Cao Yu's drama under the same name and adapted from the opera "wilderness" (of words, Jin Xiang Qu). Staged opera in 1991, "the party's Daughter" (Yan Su writer, Wang Zujie composer) under 60 years of the same name, adapted from the film script, selected the theme of revolutionary history, but also the creation of the classic opera during one of its musical theater structure and Psychological description of the depth, uniqueness and the role of setting the language of music, music writing techniques draw on integration of the high reached a new height."Sister Jiang" and "daughter of the party" is the same themes in different periods of opera works, this use of comparative analysis, case demonstration, literature analysis and lessons learned and other methods, to the artistic style of these two operas were analyzed and compared . I will be the overall structure of this paper is divided into introduction, main part and conclusion of three parts. The main part of which is divided into four chapters: the first is a comparison of two opera story; second chapter is the central figure in two operas Art Image comparison; third chapter is a comparison of two opera music; s Two chapters briefly on the Aesthetic Spirit. Through the story, characters and music to create the shape of this analysis and comparison of two operas, I deeply feel: the cause of the Chinese Opera To accomplish something, to go with Chinese national characteristics of the creative route, must be with consistent development of the times. "Sister Jiang" and "daughter of the party," these two operas are learning from the Chinese traditional music culture, especially traditional Chinese musical elements of opera based on the creation, and have been successful, so follow the creation of Chinese opera national road with Chinese characteristics is a wise choice. These two operas will be the revolutionary tradition and contemporary society advocated by the dedication and link the fate of the motherland, looking to the spirit of traditional spiritual and contemporary meeting point, so that "Sister Jiang" and "Tian Yumei" and the artistic image of the revolutionary more modern means to meet the spiritual needs of modern society. But we can not be satisfied with the progress of the times, more frequent exchange of Chinese and Western culture, Chinese opera order to have more development, we must engage the world. "The nation is the world's" only focus on the creation of Chinese traditional music based on the material, combined with a favorable western part of music culture, the use of deep grounding in literature and music literacy, the language of literature and music perfect combination to create a truly outstanding operas, works for the treasure house of Chinese opera to add luster, and the Chinese opera, opera really took the world stage.