On The Aesthetic Value Of San Mao's Proses

San Mao eighties as the 20th century, Taiwan's Contemporary Literature of the most legendary and important writer and charismatic, with its ups and downs of the drifting experience dramatic life experiences and dedication to the pursuit of romantic life, and her sincerity and free and easy , attracting tens of thousands of readers, her works widely in the global Chinese community spread on the mainland all the rage, in the cross-strait exchanges and the development of literature has always played an important role. especially her prose writing. In this paper, from the perspective of narration cut into San Mao's works, strive to be comprehensive, thorough, detailed the creation of San Mao, sort out and explore. And focus on thoughts and feelings through the course of their lifetime in-depth reading, and then to explore her creative spirit behind the various hidden incentives for San Mao and His text reveals the unique value and profound significance.Paper is divided into five parts: "Introduction" describes the life of San Mao profile and her literary creation, combing over the years, research and development of San Mao context, examining domestic and international research trends and explain their own research point of view. The first chapter "San Mao's works a unique narrative art" from the idea of self-narrative mode, The dialogues and monologues narrative discourse, women's Perspective on the truth, goodness and beauty of San Mao's persistent pursuit of three aspects of literature to explain the existence of value and aesthetic implication . Chapter II, "San Mao's literary creation of the spiritual homeland," San Mao's literary creation reveals the self-imposed exile, loneliness and death, as well as the characteristics of a real imaginary, and strive to dig deep to show their creativity hidden behind a variety of spiritual incentives. Chapter III, "San Mao's works of literature and accepted dimensional" San Mao's works from the readers of San Mao's literary trajectory, as well as to analyze the morphology of the three San Mao's works of various periods of creative style and personality characteristics of the different readers of different ages San Mao's works to different interpretations. The last part of the "Conclusion" summarizes the full text.