The Expansion And Innovation Of The Traditional Painting About The Comprehensive Use Of Water-Based Materials

Chinese contemporary art has been integrated performance of the last century from the exploration stage to maturity, academic materials drawing on the theory of integrated research better. As we all know, the West is rooted in oil painting Materials, which is the mainstream of Western art-painting a logical connection, however, a synthesis of Chinese painting in addition to the continuity of oily material, the more unique is water comprehensive media forms of artistic expression. This paper analyzes the limitations of the traditional water-based painting materials, water-based materials to demonstrate the inevitability of drawing towards an integrated and "water as media" drawing a particularity of comprehensive art exists in the field of painting in China.The thesis is divided into four parts, the first part discusses the limitations of the use of traditional water-based materials. Order of unity from the pigments used, the binding of selective substrate, and performance techniques of the stylized three aspects discussed in order to demonstrate the comprehensive use of water-based materials is the inevitable trend of easel painting. This is partly the full text. In the second part and the third part discusses water-based materials were integrated use of traditional painting vocabulary development and concepts, the results of these two parts of this paper. The second part from the transparent and opaque, thick and light, texture and beauty of the five aspects of material discussed, to explore beyond the traditional water-based materials of painting and contemporary integrated water as a medium for the expansion of relations between painting materials. Third part article The point of the eye, discusses the traditional "freehand" in view of the consolidated material through the use of abstract elements and painting in water material innovative absorb two aspects to reveal the subject matter, namely, "developing" and "innovation" must be based on in the "water-borne" in the field of art forms in our long-term accumulation of the particularity of painting, rather than changes in total westernization of the subversive. Carry forward the essence of traditional painting of the nation, while selectively absorb all kinds of contemporary art of painting is the concept of integrated water-based materials in the Modern Transformation of the painting to go through the path. The fourth part is the concluding part, this part of the first three parts of the causal relationship between the brief summary.