The Cinematic Demands Of Literature

Mu Shiying was a modern Chinese literary who's life is not long however, abundant talented writer, about his research has come a long way, but a long time, either because of the need for a political point of view to comment him from the PuLuo literature, or put him under the halo of a new feeling school study. Mu Shiying indeed worthy of the title "New Sensation Kathrine", but at the same time, he was an individual, one has its own creative style, and its own concept of art.In the 1930s and 1940s, Shanghai formed a kind of social climate of "see a movie," as a person of modern BOY-type, Mu Shiying bent on cinemas, dance halls and other entertainment, he was particularly keen on the film, and has a unique understanding of the film, and intentionally or unintentionally, among the methods he applied the means of artistic expression of film to his own novel creation. To some extent, Mu Shiying's novel can be regarded as cinematic novels, his novels have a sense of imagery which is can't compared with traditional fictions, and consciously use light, shadow, sound and color of the image sculpt of the picture to create a typical environment, performance figures psychological, shaping the characters. This paper from the three elements of fiction (characters, plot and environment) to compare Mu Shiying's novel and traditional novel, from this to explore the use of film skill in Mu Shiying's novel, and following the logical structure why appear, what has, what are the results to research it.This paper focusing on text analysis, from the text itself to grasp the infiltration of film art in Mu Shiying's works, combined with Mu Shiying's life experiences and his theory of art especially in the field of film, in discuss the plot structure, mainly from the perspective of the film's narrative to analyze how could Mu Shiying to break the narrative of traditional fiction, and how could he inject the traditional narrative elements into the film, such as the successful graft of montage. Of course, Mu Shiying's learn from the film technology, in addition to the narrative, it can also performance in other various aspects, such as portraying characters, Mu Shiying adopted the shooting method which is similar with film footage, There exists down shoot, flat shoot, up shoot, skillfully displayed characters temperament and image. He also used the camera's movement pattern, so that figures can full of dynamics with the movement in the lens of the push, pull, shake, shift, with, up, down and so on, visual presented to readers. The appearance of Mu Shiying's cinematic novels, convincingly demonstrate an effective blend of literature and film, it has opened a new path for the development of literature.Using the film technique expression to build audio-visual sculpt in the novels, with scattered fragments of the language to replace the foreshadow and transition in traditional novels, make the only "read" novel at the same time can "watch", the cinematic is a tremendous contribution to the novel which was created by Mu Shiying. At the same time, Mu Shiying put excessive attention to practices and techniques, so that most of his novels which were sensationalize and cinematic tend to be the pursuit of form, the readers can not obtain profound ideological connotations in them.