Research On The Comparative Form Of Painting

Art is people's re-creation of nature. Art is the communication of heart between people and nature. Art is the sublimation of soul. Art is the psychical collision and spiritual resonance between person and person. Art, is no longer an abstract and complicated word but a gate which connects soul and nature as a window. Through the window of heart, what we see is the whole meaning of life. Drawing can never shake off its representation of the most complex consciousness of human being and its re-creation of the shape of nature. Sensibility and spirit finds sustenance in tangible form. The accomplishment of spirit expressing and inner-heart experiencing is the goal artist forever pursuing and is the meaning of human life.The most important principle in drawing is that the harmony of picture mainly relies on form comparison.This paper aims to interpret this foremost form comparison connections in drawing, expressing human thought, sensibility and meaning through contrastive comparison and internal characteristic. Different style has different language with better expressing way. Masters past favor us with the most excellent expressing experiences. We will advance along their road .Summarizing preceding experiences is the best stage to re-create and exceed. After general expound of conceptual words, The paper illustrates the relations of drawing forms and their existing manner. For some important contrast style, the paper make its theory more clear by experimentation and analyzing works.The whole paper includes five chapters.The first chapter is introduction. It summarizes the task of drawing as visual art and the function of drawing form contrast to drawing. Though introducing the research state at home and abroad, the theme comes out and expounds the necessity of form contrast with creative viewpoint. This offers help in knowing , studying and produce drawing works.The second chapter summarizes the contrast elements of drawing form on the whole. First, expounds the cognition of dot, line and face in drawing. Second, illustrates how to look on the function of body in drawing. Third, states the function of color in drawing and its affectivity.Through various contrast relations styles of drawing elements, it is realized that drawing contrast is the reason to create activity in drawing. First, from the angle of line style, it is discussed through the contrast relations between beeline and curve, between scanty and density. Second, from the angle of brightness, it is discussed through the contrast relations between bright and dark, black and white, light and heavy. In this section, mostly discusses through relations between bright and dark, black and white. Third, from the angle of color, it is from the relations contrast among red, yellow and blue, contrast of complementary color( discuss three colors with complementary color relations separately), contrast between cold and warm color( as to distinguish between bright and dark, it is expounded in detail). Four, from the angle of body, to comprehend the contrast relations between square and round in drawing.The fourth chapter deals with the reason and impact of drawing form contrast. It is to look on the relations between balance and unbalance on the whole from the angle of movement. It begins from the reasons to the impact of drawing unbalance and thus illustrate that form contrast not only can cause drawing unbalance but also can make balance to the whole drawing. Drawing exists in movement and movement is eternal.The fifth chapter is conclusion. Furtherly illustrate the recognition of drawing as an art and the importance of form contrast in drawing. Drawing contrast is the reason why drawing has the relations of unity of opposites. The contrast relations of drawing form benefits creativity is concluded.