Research On Acceptance Of "dong Ju" Landscape Painting Style In Song And Yuan Dynasties

Chinese landscape painting matures from the late Tang and Five Dynasties until the Ming and Qing Dynasties, the overall trend is one of the South over the North landscape painting style begins to mainstream process. As a pioneer of the southern landscape painting tradition and style of the representatives of the South, the change of status of "Dong Ju" landscape painting style the in the painting history is the overt manifestations of this trend. Song and Yuan Dynasties are important historical periods for the great changes of "Dong Ju" landscape painting style. During this time, "Dong Ju" by the Five Dynasties and Song of the unknown, to the late Yuan to become the largest altar painting master. "Dong Ju" changes in the status of the decision on the Song and Yuan's scholars' horizon of expectations, and their horizon of expectations also decide to specific historical period of political, cultural, geographical environment and individual life experience, knowledge structure. Therefore, the research on the acceptance of "Dong Ju" landscape painting style in the Song and Yuan Dynasties, you can get a glimpse of the mentality of scholars and the thread of cultural changes in Chinese society.Acceptance esthetics holds that only in the interpretation and evaluation of the choice of those who inherit their time, the meaning of literary and artistic works can be demonstrated. "Dong Ju" is unknown in the early Northern Song Dynasty, no way to demonstrate its significance. Appeared in the late Northern Song, "Dong Ju" acceptation history as a key node, these are, Mi Fu and Shen Kuo's interpretation and resections of "Dong Ju" landscape painting style. "Dong Ju" the significance of landscape painting style begins to promote. But this time, there are many of the "Dong Ju" landscape painting style misunderstanding and indifference. Almost all of the Southern Song Landscape painting " vigorous ink" physical-hospital coverage, but the literati tradition of painting is still being carried on, hospital physical landscape painting but also the pursuit of poetic and artistic conception of the building deserted, you can say " Dong Ju" accepted in the Southern Song Dynasty is like broken really connected. The early Yuan Dynasty, Gao Kegong and Zhao Mengfu as "Dong Ju" Another key to accept the history, especially Zhao Mengfu, inherited the Mi Fu. He has not yet verbally and vigorously publicizes the "Dong Ju" landscape painting style, but his ideas and his aesthetic landscape painting art practice on the achievement, is to promote the "Dong Ju" landscape painting style of the most important driving force for prosperity and acceptance. The late Yuan Dynasty, "Four Masters of Yuan Dynasty" and others in the Act "Dong Ju" the great achievements of landscape painting practice, and eventually "Dong Ju" enveloped the landscape painting style of landscape painting in the late Yuan Dynasty.With the enhancement of academic strength and diversity of perspective, the research on the status changes of historical phenomenon of the "Dong Ju" has been made in some of the new results, but lack of systematic, or focus on environment and not deep enough. Hence continue to study is necessary. In addition, there is a new point of view, doubt original of Dong Yuanp's " three-volume of Xiaoxiang", and then consider rewriting the history of the Five Dynasties and Northern Song Dynasty's landscape painting is possible, so during the Song and Yuan Dynasties "Dong Ju" landscape painting style of acceptance of the need for further clearance .