Gong Li is a special actor, her expression and the width of performing far more than contemporary actors.Gong Li's international status and influence, from the East tragic interpretation of women's roles. Gong Li's unique temperament and performance skills, making China an era, a culture of women survive the tragic image for him. Especially in the prestigious international film festivals film "Red Sorghum", "Story of Qiu Ju," "Curse of the Golden Flower", etc. More fully demonstrated some of oriental women nationalization of the tragedy.This paper will from Gong Li different times, different types of classic screen image:or early in the Zhang Yimou, Sun Zhou, Chen Kaige were the times, played the film destroy or forgotten women, or the Hong Kong entertainment films of Prostitutes, or Hollywood Oriental Zen of commercial film……dig Gong Li film performing arts in the West against the backdrop of cultural differences derived from the common role of women-"Oriental Sadness" symbol. The film as the spread of culture, art, Gong Li has been represented not only the actor's image, but also as a disseminator of oriental culture. Throughout the works of Gong Li's performance, played the female image is not a lack of Ju Xian, Xiao Jinbao, ChuTao,etc, low social "prostitutes", "Dancing Girl", "singing girl" image, compared to "Story of Qiu Ju" and " beautiful mother "of success, the role of the image is too kind a single, fixed, modeling. As a "symbol of Eastern women,"To Western audiences the aesthetic is difficult to accept.Study the Gong Li on the role of interpretation and comprehension, certainly for the Chinese film performing arts can provide the amount of the line model. How to make the image of the Chinese female in the movie out of "tragic", how to make Chinese culture out of the "tragedy" brings a new aesthetic value of the Western world and judge, is the film makers must accept the challenge. |