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The Narrative Study Of Ye Shengtao Short Stories

Posted on:2011-10-25Degree:MasterType:Thesis
Country:ChinaCandidate:J L WangFull Text:PDF
GTID:2155360332455897Subject:Chinese Modern and Contemporary Literature
Abstract/Summary:PDF Full Text Request
Ye Sheng-tao (1894-1988 years), the original name Ye Shaojun, Suzhou, Jiangsu Province, China, the famous writer, educator, and Editor and Publisher. In the field of writing fiction quite good, with the exception of a novel "Ni Huanzhi",there are more than hundred Short stories. The main collection of short stories have "divide" (Commercial Press, 1922), "Fire" (Commercial Press, 1923), "line" (Commercial Press, 1925), "city" (Shanghai enlightened bookstore, 1926), " not tired series " (Shanghai Commercial Press, 1928), " Forty-three sets " (collection of short stories and fairy tales, Shanghai Companion Books, 1936), "Xichuan Sets" (collection of essays, fiction, Chongqing Man Light Bookstore, in 1945) and so on.This paper, the Ye Shengtao short stories as the research object, the " Person " and "point of view" as a starting point to study the conversion Ye Shengtao short stories, narrative and its significance. In the specific research methods, this paper, three kinds of short stories from a narrative point of view Ye Shengtao types (omniscient narration, first-person narration, third-person limited narration) cut into, according to chronological statistics on their numbers and their distribution, to take a sample text analysis as a the basis for discussion. In addition to the introduction and conclusion of this paper, the divided into three parts. The first part, dealing with Ye Shengtao try to imitate the early creation of short story narrative, to the early problems of classical Chinese novels and stories as a text illustration, combined with the nature of the omniscient narrative and its functions, from the omniscient narrator, non-narrative comments, regulation of narrative point of view of the three aspects discussed. In addition, also discuss the first-person omniscient narrative interwoven with the narrative situation. The second part, dealing with first-person narrative, Ye Shengtao the creation of the first-person short story there are two peaks: one is "May Fourth" period, papers to "divide", "Fire," set an example as text, etc., from the first-person narrator, "I "," different story "and" the same story "narrative discusses two aspects. The other is 40 years, papers to "Spring Festival couplets children" concentrated four novels as a text example, focused on the choice of narrative method and content of the relationship between work performance. In addition, this chapter also has a transitional first-person retrospective narrative "potato melon" to do some research.The third part, dealing with restrictions on third-person narrative. With Ye Shengtao's "line", "city", "not disgust collection", " Forty-three sets" and other collections of short stories of fiction as a text example of restrictions on third-person narrative from the perspective of choice (fixed characters from the strict narrative perspective, the orderly conversion characters perspective), view both to describe the phenomenon of cross-border third-person limited narrative perspective of the problem; and on "Mr. Pan in the stricken" and other text in the dramatic scenes of dialogue presented a case analysis;, Ye Shengtao of short stories in the last statement of irony and objective narrative.Overall, Ye Shengtao short stories, narrative point of view, broadly experienced from omniscient narration to first-person narration, to the third-person limited narration conversion process. This is a narrative from easy to difficult, from trying to imitate the increasingly proficient at creative skills process; also continue to strengthen the narrative objectivity, "cool earth" writing style is gradually forming process.
Keywords/Search Tags:Ye Shengtao, Short stories, Omniscient narration, First-person narration, Third-person limited narration
PDF Full Text Request
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