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Beauty In The Plastic Arts Of The Yungang Grottoes Further Discussion

Posted on:2011-03-23Degree:MasterType:Thesis
Country:ChinaCandidate:X Y HuangFull Text:PDF
GTID:2155360332455994Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
May 2008 I followed the tutor to the Yungang Grottoes in art to examine, in the inspection process, I deeply appreciate the profound traditional arts, Chinese traditional arts are so great, I am proud, but also inspired me explore the way traditional arts.Yungang Grottoes is the Northern Wei Dynasty unified northern China, the Hexi drilled outside the first one grotto art, that is, Buddhism spread eastward from the Hexi Ping Cheng, in more prosperous times dug out. It is the art of the Tang Dynasty Buddhist stone statues before the masterpiece. Thus the beginning, regardless of the nature, subject matter, language, style of Buddhist art on behalf of the national form of the transformation process. Yungang Grottoes is the existing one of the largest group of ancient caves. Its existing 53 caves, more than 1,000 shrines, stone statues of 5.1 thousand respect. Supreme Buddha,17 meters, the smallest only 2 centimeters, look different, life-like. December 2001 are listed as World Cultural Heritage. Yungang Grottoes is a treasure house of grotto art, focused on the original culture, ethnic culture and Indian culture as a whole, is widely recognized historical and cultural treasures of mankind and the crystallization of ancient Chinese civilization. It is also the Chinese Buddhist Sculpture in creating the most magnificent in the subject matter of the most complex one. As the literature is written:"carving majestic, the highest in I, ireally huge volume shape the world by the Greek law." "niche other, went Hai touching God." is the rest of the country can not match the grotto. the Yungang Grottoes today is a valuable heritage of the Chinese nation, because people from these plastic art, see the prevailing social taboos of all classes for the study of the Northern Wei period of social forms are not provided the literature visual evidence, the same time, Yungang Grottoes in northern nomads carrying art, folk art style, style and cultural context is also very prominent. Today, the Yungang Grottoes Research not only the traditional art of stone carvings we offer the possibility to learn from. And its contemporary art form and inspired thinking also has far-reaching practical significance.Based on the Yungang Grottoes of field trips, use of comparison, analysis, contact the individual to the whole, from practice to theory, research methods for research. Divided into four chapters, based on theoretical research is the first chapter, the major explained the background of Yungang Grottoes, Yungang Grottoes shape the development of general and historical stages of language related research. Second, the three chapters to study the shape of Yungang Grottoes language clues to the Yungang Grottoes of the characteristics of the plastic arts of formal beauty. Chapterâ…£, the author of the Yungang Grottoes by the language of plastic arts, combined with the author's artistic practice, I focus on art practice in a little feelings. The last part of the epilogue.Yungang Grottoes, left us valuable historical data for the same time, gave the contemporary artists in the arts provides a wonderful learning and reference case. Therefore, the study of its features and styling of these as my main purpose to write this paper.
Keywords/Search Tags:Cave Art, modeling language, national identity, and artistic creation
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