Removing The Shelters Of Narratives In The Era Of Homogenization

Wang Anyi said, she was not good at writing short stories, however, after she had been writing long stories for 10 years, she has a passion for creating short stories again , moreover, it roused the writer's interest to show aggression in ideas and sharpness in form about text of her short fictions. This article explores Wang's short stores between 1997 and 2008 based on narratology, Starting from the perspective about""in the public space of a city and the experience of"'s Shock", through ideology produced by narrative symptoms in her short stories, look back at her stories about the country and her growth, against her long stories while reading in detail her short stories, study deeply the interactive relation between her short stories and her long and in order to examine the unique significance displayed in Wang's stories.In addition to introduction, conclusion, main content and argument, the article can be divided into three parts.In chapter one, through analyzing her short stories in series, we can get a hint of the""who is everywhere, Wang's incarnation, who exists city's every public space freely, and speaks as she sees, fell her own"shock"to indifferent public in city as represents her insistence in spirit. Second, through reading her short stories based on narratology , we can find out Wang adopted mainly the structure pieced together, through""'s perspective in city's every public space, we can point out the structure leads itself to the homogenization time, including different areas and different cities, fondly, the"shock"experience of""and her insistence in spirit made her focus on the objects existing in city, so as to add color to a gray city, and starting her historical view, coupled with the features of short stories, we can realize Wang resisted homogenization existing in by different areas in a city and different cities, historical view to the city.In Chapter Two, by studying the texts of Wang Anyi's short stories from the narratology, the author found that the urban masses in these texts we're always anonymous. And with the presence of no-dialogue scenes in the texts and no-story narrative features, the solitary life of city dwellers can be deluded. Through giving a sense of history to the urban residents, describing their unique features and a lot of concerned details with differentiated creation, Wang Anyi aimed to resist the homogenization of urban masses. This is a way of spiritual redemption from Wang Anyi, as an intellectual elite in the age of lost humanism.In Chapter Three, besides the incisiveness of her stories in this period,there are still many stories with complete plots and well-developed characters among Wang Anyi's short stories. It seems to betray her theory of no-story in the city. However, in fact, this is a spiritual redemption through removing the shelters of narratives in the age of homogenization. By telling complete stories, describing the countryside in her memory and her growing experience and seeking for the aura of loses in the age of homogenization in her short story texts, she fried to resist the drawbacks in the era of homogenization.By contrast between Wang Anyi's short stories and novels as well, as novellas and through analysis of direct and interactive relationship between their texts, the author finally worked out the unique meaning of Restart.