A Study Of Rhetorical Art In Qiaoji's Sanqu

Qiaoji is the Yuan Sanqu writer who has a high status in the Sanqu in the history, and future generations at home and critics have music in high regard for him. Not only because of his creative Sanqu quantity, but also because of their works have a greater impact on later Sanqu. Qiaoji summed up the creative process of writing Sanqu methods, has some influence on the Yuan Dynasty. But Qiaoji research has always been primarily from a literary point of view, from the rhetorical point of view of Qiaoji's Sanqu the language of research and systematic exposition of the relatively small. This article attempts to start from the perspective of rhetoric, the main discussion Qiaoji's Sanqu in the analogy, references, overlapping characters, tripartite balance right, saying dialect and the "er" decorate six distinctive rhetorical means, thus a more incisive study of the language of Qiaoji's Sanqu style of the reasons for their formation.1.Introduction. Introduction Qiaoji's life story, different times of the critics Qiaoji's Sanqu language assessment, On current Qiaoji Sanqu Research, as well as the significance of this study and research methods, and "Rhetoric" to define the meaning.2.Simile. The simile of Qiaoji's Sanqu according to a classification can be divided into two categories: (A) with flowers, jade and other predecessors body of poetry in the commonly used simile for body; (B) a vulgarian, everyday things as Metaphor, and his rhetorical effect to illustrate this. Qiaoji's Sanqu in the use of a large number of Bo Yu practices, Bo Yu practices cause Qiaoji's Sanqu magnificent Zisi of power.3.Reference. References includ the reference to historical facts and old saying. Qiaoji's Sanqu references is divided into historical stories, myths and legends of reference to refer directly to their predecessors in poetry words, sentences of the verse with their predecessors in several forms. And then the characteristics of the application of this analysis have two major characteristics: (A) of quantity, sources is broad; (B) multi-reference familiar with the story.4.Overlap. Overlap is a kind of Chinese-specific rhetorical devices. I will summariz and analyze Qiaoji's Verse of the overlap firstly. Then analyze overlapp in the image of beauty and temperament and two overlapp of Qiaoji's Sanqu in the role of rhetoric. 5.Tripartite balance right. Tripartite balance the more Sanqu pair is a special dual form. First, a list Qiaoji's Sanqu the tripardite balance of form exists in the main are: three words tripartite balance right, four words tripartite balance right, Cource tripartite balance right, six words tripartite balance right, seven-character tripartite balance right, eight words tripartite balance right, nine words tripartite balance right, 10 words tripartite balance right, 11 words tripartite balance right. Then analyzed Qiaoji's Verse of the tripartite balance of the features: (A) quantity, form a rich; (B) will dissolve in a variety of rhetorical devices, "tripod."6.Dialect. List some dialects that commonly used in Sanqu, and analyze their meaning. Then analyzes the dialect saying the rhetoric in the Qiaoji's Sanqu effect.7."Er" decorate. "er" is a strong oral infix color, in the written language of "er" generally do not write it, but Qiaoji's Sanqu retained a large number of "er" decorate the word.8.Conclusion. Conclusion constitutes Qiaoji's Sanqu "text instead of text, vulgar but not bad" language style of the reasons were reviewed and summarized.