Research On Film And TV's Wushu

Highly developed media, in particular the emergence of digital media, builds the global platform for audio-visual culture. The proliferation of computers, the development of digital technology and the increasingly rich of multimedia products day and day, audio-visual culture has become more so a century the dominant cultural force.Wushu conforms to the requirements of social development, and rise to a new form - Film and TV's Wushu. Film and TV's Wushu attracts large audiences at home and abroad through high-tech digital production and it's fine traditional culture. However, the over virtual and exaggerated Film and TV's Wushu makes some of the audience do not even take a negative attitude. In view of this situation, this paper uses the literature, expert's interview, logical thinking, comparative analysis, and case analysis research on concept, development process, characteristics, ideological content and methods of presentation of Film and TV's Wushu, and has the following conclusions:The first, Film and TV's Wushu is a kind of virtual Wushu. It makes actional Wushu evolve into a more performing and watching wushu's dance through art's processing, exaggeration and sublimation, and then is shown to audience with the form of Wushu's film and television.The second, Film and TV's Wushu has a long and complex process from its infancy to maturity. Film and TV's Wushu has been to maturity after the four phases that birth; the mainland uneconomy, but Hong Kong's prosperity; the mainland economy ; the current period of computer's graphics skills dominate.The third, Film and TV's Wushu's features: The characteristic of appearance is that Film and TV's Wushu is performing art for entertainment and has much stronger artistic. The essential characteristic is that Film and TV's Wushu is an art of attack and defence through director design, and has great exaggeration of; the ideological characteristic is that Film and TV's Wushu makes"enjoy helping"as main line to promote the national spirits, and has loading function; The functional characteristic is that Film and TV's Wushu makes audience leisure and entertainment at the same time spreads the Chinese Wushu's culture, and has the function of tool.The forth, Film and TV's Wushu makes the Chinese fine traditional culture, the theory of literature that "xia" culture and philosophical thinking as basis, and virtual, exaggerated, quick movements as coats, and display to the audience through photography, editing, dubbing, light and color.It not only has enjoyment of strong visual and auditory, but also has rich connotation of ideology and culture.Through the study of Film and TV's Wushu,can greatly reflects the distinction between sporting actional Wushu non-sporting virtual Wushu,and builds blocks for the greatness and profundity of Wushu. At the same time, the study has practical significance to guide audience rightly understand that Wushu play an important part in the field of art.The birth of anything has been hard to avoid criticism of the world. Film and TV's Wushu has no exception, and must withstand the test of practice. Whether Wushu's workers or audience, we should look on Film and TV's Wushu with dialectical materialism, and lead Film and TV's Wushu develop healthily and rapidly.