Aesthetic Transmutation In The War - A Study Of Hong Airan 's Aesthetic Thoughts During The Anti - Japanese War

Hong Yiran, hailed as "the public aesthetic pioneer" of its aesthetics, played animportant role in modern Chinese aesthetics. During the Sino-Japanese War, the specialperiod, was the initial formation stage of Hong’s aesthetic ideology. Be first known as apainter, Hong Yiran, compared with other aesthetic theorists, he had different qualitiesand characteristics. His distinctive, unique artistic style stood him out.In this period of the War, Hong had completed his transfer, namely from an artist tothe art theorist esthetician transformation. His aesthetics during this period completed aprocess of evolution, along with aesthetic practice and in close connection with thecharacteristics of the times. Also, due to the different academic backgrounds, Hongdecided to propose new aesthetic ideas and then thought of other aestheticians.This dissertation can be divided into seven parts:Part I: Introduction. This section describes the reason, purpose, significance andresearch methods, and combed the current research on Hong Yiran’s aesthetic research.Meanwhile, the related time concept involved in the paper have been defined in this part.Part II: The social and cultural background of Hong’s aesthetic ideology during thewar period has been analyzed in the dissertation. This particular individual in a specialwar era, Hong’s aesthetics during this period is closely linked with the Sino-JapaneseWar, while Marxist aesthetics, Chinese classical aesthetics and the impact of China’semerging aesthetic theory were also inseparable to him.Part III: the trajectory of aesthetics Hung has been sorted out during the war, toestablish aesthetics from art theory, aesthetics completed its process of evolution in thewar. Also, this section also analyzes the aesthetics this time Hong Yiran’s unique value in modern Chinese aesthetics.Part IV: War era as Hung decided to aesthetics and aesthetic practice reflects part ofthe sort and analysis into works of art, art and art criticism campaign three major aspects,and the specific aspects of each analysis.Part V: aesthetician and aesthetics of Hong Yiran generated ideological differenceswith collision were analyzed in this part. Cai Yi mainly divided and aesthetic impact, aswell as with other esthetician then as Zhang Daqian, Feng Zikai and Zhao Wangyuncollision of ideas and thoughts.Part VI: On the basis of summarizing style to sort out the full text of the above, thestudy points out the deficiencies that exist, to reflect, and presented the paper on thedevelopment direction of future efforts to improve the research topic.